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Photos. Andy Keate

Alexandra Lazar’s essay, Fragile

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska, Chrysalides, solo exhibition of drawings, at Austin Desmond Fine Art, London, 2021, installation images, photo. Andy Keate

Tatiana Wolska<br /> Untitled, 2021<br />  Ink and watercolour paint on paper <br />42 cm x 30

Tatiana Wolska<br /> Untitled, 2018  <br />Ink on paper <br />40 x 56 cm

Tatiana Wolska <br />Untitled, 2021 <br />Biro and watercolour paint on paper 40 x 29 cm (framed: 47.5 x 37.5 cm) <br /> TWD 2221

Tatiana Wolska <br /> Untitled, 2021<br /> Biro on paper <br /> 40 x 29 cm (framed: 47.5 x 35.5 cm)<br />  TWD 2321

Tatiana Wolska<br /> Untitled, 2021<br /> Biro and watercolour paint on paper<br /> 63 x 49 cm (framed: 71 x 56 cm) <br />TWD 2421

Tatiana Wolska <br />Untitled, 2021 <br /> Biro and watercolour paint on paper 48 x 63.5 cm (framed: 56 x 71 cm)<br /> TWD 2621

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Tatiana Wolska <br />Untitled, 2021  <br />Ink on paper <br />30 x 21 cm

Tatiana Wolska<br /> Untitled, 2021<br /> Biro and watercolour paint on paper 40 x 29 cm (framed: 47.5 x 35.5.cm)<br /> TWD 2121

Tatiana Wolska<br />Untitled, 2021<br />  Ink and watercolour paint on paper<br /> 42 x 30 cm

Tatiana Wolska<br /> Untitled, 2019  <br />Caran d’ache Luminance crayon on paper <br />42 x 30 cm

Tatiana Wolska<br /> Untitled, 2021<br />Ink and watercolour paint on paper<br /> 42 x 30 cm

Tatiana Wolska<br /> Untitled, 2021<br />  Caran d’ache Luminance crayon on paper<br /> 40.5 x 29.5 cm

Tatiana Wolska<br /> Untitled, 2018<br />  Ink on paper <br />47.5 x 56.5 cm

Tatiana Wolska<br /> Untitled, 2018<br />  Ink and watecolour paint on paper <br />50 x 65 cm

Tatiana Wolska <br />Untitled, 2018<br />  Ink on paper <br />50 x 65 cm

Tatiana Wolska <br />Untitled, 2021 <br />Biro on paper<br /> 28 x 20 cm (framed: 35 x 26.5 cm) <br />TWD 1521

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

Staying with the Trouble, installation view

To view on mobile app please go to:

Filip Berendt, Pandemic IV , 2009, photography archival print on dibond ed.62AP, 40×50 cm

Filip Berendt, Pandemic VII, 2009, photography archival print on dibond ed.62AP, 60 x 50 cm

Filip Berendt, Pandemic VI, 2009, photography archival print on dibond ed.62AP, 70 x 50cm

Filip Berendt, Pandemic VIII, 2009, photography archival print on dibond ed.62AP, 50×50 cm

Filip Berendt, Pandemic V, 2009, photography archival print on dibond ed.62AP,50x 40 cm

Filip Berendt, Pandemic II, 2009, photography archival print on dibond ed.62AP, 50×50 cm

Filip Berendt, Pandemic XI, 2009, photography archival print on dibond ed.62AP, 50×50 cm

Filip Berendt, Pandemic III, 2009, photography archival print on dibond ed.62AP, 50×50 cm

Filip Berendt, Pandemic I, 2009, photography archival print on dibond ed.62AP, 70 x 50 cm

Filip Berendt, Pandemic IX, 2009, photography archival print on dibond ed.62AP, 50×50 cm

Filip Berendt, Pandemic XII, 2009, photography archival print on dibond ed.62AP, 70 x 50 cm

Filip Berendt, Pandemic X, 2009, photography archival print on dibond ed.62AP, 80×80 cm

Joanna Rajkowska, The Failure of Mankind, intsalltaion view, l'etrangere

Joanna Rajkowska, The Failure of Mankind, intsalltaion view, l'etrangere

Joanna Rajkowska, The Failure of Mankind, intsalltaion view, l'etrangere

Joanna Rajkowska, The Failure of Mankind, intsalltaion view, l'etrangere

Joanna Rajkowska, The Failure of Mankind, intsalltaion view, l'etrangere

Joanna Rajkowska, Mask with Roe Deer's Skull and Spine, 2019 Papier-mâché, fox skull, beer can 43 x 39 x 22 cm (approx.)

Joanna Rajkowska The Hatchling (Heron), 2019 Acoustic sculpture pigmented acrylic plaster 30 x 20 cm (diameter)

Joanna Rajkowska, The Failure of Mankind, intsalltaion view, l'etrangere

Joanna Rajkowska, The Failure of Mankind, intsalltaion view, l'etrangere

Joanna Rajkowska, The Failure of Mankind, intsalltaion view, l'etrangere

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

What branches grow out of this stony rubbish?, l'étrangère installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Bożenna Biskupska, Epiphany of Time, 2019, létrangère, installation view

Krzysztof Gil, 'Tajsa', installation view, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', installation view, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Welcome to the Country where the Gypsy Has Been Hunted', l'étrangère

Krzysztof Gil, #12 - Hunting series (KG d01), 2018, chalk, charcoal, ink on paper, 70 x 50 cm

Krzysztof Gil, #13 - 'Hunting series (KG d02'), 2018, chalk, charcoal, ink on paper, 70 x 50 cm

Krzysztof Gil, '#11 - Hunting series (KGd03)', 2018, chalk, charcoal, ink on paper, 70 x 50 cm

Krzysztof Gil, #10 - 'Hunting series (KGd04)', 2018, chalk, charcoal, ink on paper, 70 x 50 cm

Krzysztof Gil, 'Tajsa', excerpt of the installationIron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

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Installation view, I dance for you my edifice, l'étrangère, London, UK

Appendices II, 2018. Photograph, giclee print on premium luster 53 x 28 cm Edition 1 of 5 + A

Appendices I, 2018. Photograph, giclee print on premium luster 50 x 28 cm Edition 1 of 5 + AP

Installation view, I dance for you my edifice, l'étrangère, London, UK

From his gut in one heaving spasm erupted a stone. triptych, 2018 Bleach and pastel on linen, eco solvent print on plastic, felt 195 x 360 cm

Totem VI, 2018. Wood, acrylic resin, sand, stone effect, foam, jesmonite, granite, climbing rope, concrete, 156 x 20 x 20 cm approx. Totem VII, 2018. Wood, acrylic resin, sand, stone effect, tinted plaster, cardboard, jesmonite, granite, 142 x 21 x 25 cm approx.

Installation view, I dance for you my edifice, l'étrangère, London, UK

Installation view, I dance for you my edifice, l'étrangère, London, UK

Installation view, I dance for you my edifice, l'étrangère, London, UK

Installation view, I dance for you my edifice, l'étrangère, London, UK

Edifice I, 2018. Beech, MDF, felt, steel, castor wheels, foam, motion sensors, arduinos, soundboards, audio 230 x 66 x 66 cm approx.

Installation view, I dance for you my edifice, l'étrangère, London, UK

Installation view, I dance for you my edifice, l'étrangère, London, UK

Installation view, I dance for you my edifice, l'étrangère, London, UK

Installation view, I dance for you my edifice, l'étrangère, London, UK

Su Richardson at Home Strike, 2018

Su Richardson at Home Strike, 2018

Home Strike, 2018, installation view.

Su Richardson, Feministo Banner, 1976

Paula Chambers, Domestic Front, 2018, site-specific installation at gallery l'étrangère, variable size

Paula Chambers, Domestic Front, 2018, site-specific installation at gallery l'étrangère, variable size

Home Strike, 2018, installation view.

Home Strike, 2018, installation view.

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.

Grzegorz Stefański, do-over, 2016, one-channel video projection, sound, dimensions variable, duration 1 min, looped, edition 3+2AP

Grzegorz Stefański, do-over, 2016, one-channel video projection, sound, dimensions variable, duration 1 min, looped, edition 3+2AP

Grzegorz Stefański, choke, létrangère, 2017, installation view

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.

Grzegorz Stefański, restraint, 2016, print on archival paper, mounted on aluminium, 40x35cm, ed. 5+2AP

Grzegorz Stefański, restraint, 2016, print on archival paper, mounted on aluminium, 40x35cm, ed. 5+2AP

Contact Zone, létrangère, 2017, installation view

Contact Zone, létrangère, 2017, installation view

Contact Zone, létrangère, 2017, installation view

Contact Zone, létrangère, 2017, installation view

Isván Szabó, Impact, 2017 ceramic, iron oxide 55 x 60 cm

Isván Szabó, Twisted half ring 2017 ceramic, London brick, stained with oxides and commercial stain 40 x 40 cm

Isván Szabó, Trunk Machine 2017 ceramic, London brick, stained with oxides and commercial stain 80 x 55 cm

Marie Jeschke and Anja Langer, Experimental Totos, series with 6 pieces, 2017, 54 x 36 cm and 54 x 45 cm, glass, wood, canvas, fur, pigments, metal, rubber, silicon, acrylic

Marie Jeschke and Anja Langer, Experimental Totos, series with 6 pieces, 2017, 54 x 36 cm and 54 x 45 cm, glass, wood, canvas, fur, pigments, metal, rubber, silicon, acrylic

Marie Jeschke and Anja Langer, Experimental Totos, series with 6 pieces, 2017, 54 x 36 cm and 54 x 45 cm, glass, wood, canvas, fur, pigments, metal, rubber, silicon, acrylic

Marie Jeschke and Anja Langer, Domino totos, domino meno core, 2017, 84 x 56 cm glass, toilet paper, latex, silicon, acrylic, screws

Marie Jeschke and Anja Langer, Trick me in two totos, toto totally into (sometimes), 2017, 155 x 84 cm glass, toilet paper, latex, silicon, wallpaper adhesive, ink, ceramic

Tatiana Wolska, Untitled, 2017, thermo welded plastic, 70 x 130 x 60 cm

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

David Raffini and Tatiana Wolska, The Poetry of Detritus, l'étrangère, 2017

Calligramme XXIII (‘fossil’), 1961, black, gold and red paint on paper, 52 x 63.5cm

Triple Drinkers I, c. 1955, pen and ink on paper, 19 x 10cm

Double-flute (third version), c.1955, pen and ink on paper, 15 x 11.5 cm

Man With Spare Feet, c.1972, ink on paper, 52 x 33 cm

Drawing (breast), 1973, ink, coloured crayons on paper, 50 x 62 cm

Two Heads, 1973, ink on paper, 50 x 62 cm

Hieroglyph IV, 1979, felt pen and conté crayon on paper, 29.5 x 21 cm

Piétons Apocalypse, 1972, oil on canvas, 102 x 86 cm

A Person I Know, 1972, oil on canvas, 75 x 63 cm

Calligramme

Calligramme

The Urge to Transcend, study for the Way it Walks

Calligramme

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley, G/raft 1&2, each two part sculpture of pink fluorescent edge-lit Plexiglas, two-way mirrored Plexiglas and vintage sawn hop hole, each part: 168 x 7.5 x 6 cm (Height of the work is the height of the artist), Edition of 3

Jyll Bradley, Balance (1&2), 2016, Acrylic paint, carbon and photocopy drawings on Khadi hand-made paper, mounted on aluminium. Balance 1: 21 x 18.5 cm, Balance 2: 12.5 x 12.5 cm, both edition of 3

Jyll Bradley, Notes (1), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Notes (2), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Notes (3), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Notes (4), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Notes (5), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Currency, 2016, Drawings on black and light blue carbon papers mounted on green fluorescent edge-lit Plexiglas. Part of a multi-part work, each 8 cm diameter, Unique

Jyll Bradley, Tags (1), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique

Jyll Bradley, Tags (2), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique

Jyll Bradley, Tags (3), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley with Thierry Bal, produced by Jyll Bradley, Brigitte, 2016, HD Video, Stereo Sound, 4:40 min

Jyll Bradley, Green Light (zips), 2014. Wall relief (Edition of 10) Flourescent Plexiglas, sawn vintage fir hop pole, drill bits. 165.1cm x 10cm

Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m

Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m

Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Architecture Makes Form: Trees Create Space (For Aldo Giurgola), 2013, 29.5 x 20.5 cm

Ugly House 1, 2016, 16 x 23 x 19cm

Ugly House 3, 2016, 16 x 23 x 17cm

Ugly House 2, 2016, 16 x 23 x 17cm

Ugly House 5, 2016, 16 x 23 x 20.5cm

Ugly House 4, 2016, 16 x 23 x 19cm

Can I make you feel bad?, 2016, 135 x 65 x 12cm

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Benzedrine, 2016, yarn, 170 x 140 cm

Can I make you feel bad?, 2016, 135 x 65 x 12cm

Couples/They 5, 2016

Couples/They 2, 2016

Couples/They 7, 2016

Couples/They 6, 2016

Couples/They 3, 2016

Couples/They 4, 2016

Couples/They 1, 2016

Caffeine, 2016, steel, 100 x 100 x 1cm, ed. 1/3

Chloral hydrate, 2016, steel, 130 x 120 x 1cm, ed. 1/3

Rococo, 2010, each approx. 30 x 30cm

Hand in Hand, 2016, 60 x 50 x 10cm

Hand in Hand, 2016, 60 x 50 x 10cm

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Pinafores, 2002/ 2016, each 34 x 49/ 49 x 34cm, ed. 1/6

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Installation View: Can I Make You Feel Bad?, 2016, l'etrangere

Marijuana, 2016, yarn, 160 x 140cm

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

The Original Image, Installation view

MARIE JESCHKE, KIESHOFER MOOR, ALWAYS (MARK 2), 2015, UNIQUE ANALOGUE PRINT ON ALUMINIUM, 140X110X15CM

MARIE JESCHKE, KIESHOFER MOOR, ALWAYS (MARK 3), 2015, UNIQUE ANALOGUE PRINT ON ALUMINIUM, 145 X 100 X 15 CM

MARIE JESCHKE, KIESHOFER MOOR, ALWAYS (MARK 4), 2015, UNIQUE ANALOGUE PRINT ON ALUMINIUM, 145 X 102 X 15 CM

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Marie Jeschke, Can't Remember Always Always. Installation view

Katharina Marszewski, Searchers, 2015. Screen print on canvas, lacquer, spray paint, 160 x 202 cm

Katharina Marszewski, Spiralo Justice, 2015. Steel, telephone wires, spray paint. Dimensions variable

Katharina Marszewski, All Eyez Inn. Installation view

Katharina Marszewski, All Eyez Inn. Installation view

Katharina Marszewski, All Eyez Inn. Installation view

Katharina Marszewski, Visual Shelter, 2015. Mounted C-print with customised frame, 53 x 75 cm

Katharina Marszewski, Screen in Mechanical Bluish, 2015. Screen print on fabric, glue, netting, aluminium, 121 x 160 cm

Katharina Marszewski, Screen in Dirty Desert Rosé, 2015. Screen print on fabric, glue, netting, aluminium, 121 x 160 cm

Katharina Marszewski, All Eyez Inn. Installation view

Katharina Marszewski, Here Comes Intensity and Here Comes Intuition, 2015. Mounted C-print in customised frame. Each 74 x 104 cm

Katharina Marszewski, She / Extended Mirror edit (for Annie), 2015. Paper, screen print, lacquer, pigment, wood, 61 x 44 cm

Katharina Marszewski, From Coast to Coat (wall piece), 2015. Screen print. Dimensions variable

Katharina Marszewski, Lacquer piece (from the Red series), 2015. Paper, lacquer, pigment, 30 x 42 cm

Katharina Marszewski, From Coast to Coat (wall piece), 2015 (details). Screen print. Dimensions variable

David Ben White, Inside Outside. Installation view

David Ben White, Inside Outside. Installation view

David Ben White, Inside Outside. Installation view

David Ben White, Inside Outside. Installation view

David Ben White, Inside Outside. Installation view

David Ben White, Inside Outside. Installation view

David Ben White, Inside Outside. Installation view

David Ben White, Inside Outside. Installation view

David Ben White, Inside Outside. Installation view

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SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Installation view

Anita Witek installation view

Anita Witek installation view

Anita Witek installation view

Anita Witek installation view

Anita Witek installation view

Anita Witek installation view

Anita Witek installation view

Anita Witek installation view

Installation view: Marek Szczesny, l'etrangere, 2015

Installation view: Marek Szczesny, l'etrangere, 2015

Installation view: Marek Szczesny, l'etrangere, 2015

Installation view: Marek Szczesny, l'etrangere, 2015

Installation view: Marek Szczesny, l'etrangere, 2015

Installation view: Marek Szczesny, l'etrangere, 2015

Installation view: Marek Szczesny, l'etrangere, 2015