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Anna Kutera, 'POST-Face 01', 2010, photography c-print, 100x100cm

Anna Kutera, 'POST-Face 03', 2010, photography c-print, 100x100cm

Anna Kutera, 'POST-Face 04', 2010, photography c-print, 100x100cm

Anna Kutera, 'POST-Face 07', 2010, photography c-print, 100x100cm

Fetish of the Image

A. Wieczorek 'Double-Portrait' Fetish of the Image, 2019, archival inkjet print on FORMEI Baryta Mono Collection 290 gsm mounted on diasec,

A. Wieczorek 'Unzipping' Fetish of the Image, 2019, archival inkjet print on FORMEI baryta mono collection 290 gsm mounted on diasec

A. Wieczorek 'The Body' Fetish of the Image, 2019, archival inkjet print on FORMEI baryta mono collection 290 gsm mounted on diasec

A. Wieczorek 'Underwear' Fetish of the Image, 2019, archival inkjet print on FORMEI baryta mono collection 290 gsm mounted on diasec

A. Wieczorek 'Unmasking' Fetish of the Image, 2018, archival inkjet print on FORMEI baryta mono collection 290 gsm mounted on diasec

Second Skin

A. Wieczorek 'Dressing up' Second Skin, 2019, archival inkjet print on FORMEI Baryta Mono Collection 290 gsm mounted on diasec

A. Wieczorek 'Pose' Second Skin, 2020, archival inkjet print on FORMEI baryta mono collection 290 gsm mounted on diasec

A. Wieczorek 'Self portait in pink' Second Skin, 2020, archival inkjet print on FORMEI baryta mono collection 290 gsm mounted on diasec

A. Wieczorek 'Self' Second Skin, 2019, archival inkjet print on FORMEI baryta mono collection 290 gsm mounted on diasec

A. Wieczorek 'Persona' Second Skin, 2020, archival inkjet print on FORMEI baryta mono collection 290 gsm mounted on diasec

Arlene Slavin<em> Intersections (G20)</em>, 2019 Acrylic on canvas 122 x 92 cm (48” x 36”)

Arlene Slavin <em>Intersections (G22</em>), 2019 Acrylic on canvas 152 x 92 cm (60” x 36”)

Arlene Slavin <em>Intersections (G24)</em>, 2019 Acrylic on canvas 92 x 152 cm (36” x 60”)

Arlene Slavin <em>Intersections (G25)</em>, 2019 Acrylic on canvas 92 x 122 cm (36” x 48”)

Arlene Slavin <em>Intersections (G9)</em>, 2019 Acrylic on canvas 60 x 76 cm (24” x 30”)

Arlene Slavin <em>Intersections (G26)</em>, 2019 Acrylic on canvas 92 x 122 cm (36” x 48”)

Arlene Slavin <em>Intersections, (G8)</em> 2019 Acrylic on canvas 92 x 60 cm (36” x 24”)

Arlene Slavin, Bronx Museum, 2017, installation view

Arlene Slavin, Bronx Museum, 2017, installation view

Arlene Slavin, Bronx Museum, 2017, installation view

Arlene Slavin, Bronx Museum, 2017, installation view

Arlene Slavin, Bronx Museum, 2017, installation view

Arlene Slavin, Bronx Museum, 2017, installation view

Arlene Slavin, Guild Hall, New York, 2014, installation view

Arlene Slavin, Guild Hall, New York, 2014, installation view

Arlene Slavin, Guild Hall, New York, 2014, installation view

Anna Perach, 'Alkonost', 2019, tufted yarn artificial hair and hand embroidery, 80x130cm

Anna Perach, 'Baba Yaga', 2018, tufted yarn artificial hair, 90x170cm

Anna Perach, 'Birth', -2018, mark tufted yarn metal wire, 80x120cm

Anna Perach, 'Shadow', 2017, tufted yarn, 38×45 cm

Anna Perach, 'Pafti Belt', 2018, buckles tufted yarn and artificial hair, 68x51cm

Anna Perach, 'The Drunken Bride', 2019, tufted yarn metal frame, 43x200cm

Anna Perach, 'The red house lord', 2018, tufted yarn and artificial hair, 115x140cm

David Ben White, Fabrication of Pleasure 81cm x 61cm, mixed media, 2013

David Ben White, Fabrication of Pleasure 123cm x 123cm, mixed media, 2013

David Ben White, Fabrication of Pleasure 81cm x 61cm, mixed media, 2013

David Ben White, Fabrication of Pleasure 50cm x 40cm, mixed media, 2013

David Ben White, Fabrication of Pleasure 50cm x 40cm, mixed media, 2013

David Ben White, Let's sit down and talk about it [collaboration with Fay Nicholson], installation view, Gerald Moore gallery, 2014

David Ben White, Let's sit down and talk about it [collaboration with Fay Nicholson], installation view, Gerald Moore gallery, 2014

David Ben White, Living Room installation, Kerstin Engholm Gallery, 2013

David Ben White, Living Room installation, Kerstin Engholm Gallery, 2013

David Ben White, Living Room installation, Kerstin Engholm Gallery, 2013

David Ben White, Temples to the Domestic, installation view, Clifford Chance, Canary Wharf, 2012

David Ben White, Temples to the Domestic, installation view, Clifford Chance, Canary Wharf, 2012

David Ben White, Temples to the Domestic, installation view, Clifford Chance, Canary Wharf, 2012

David Ben White, Riptide, Kerstin Engholm Gallery, 2012

David Ben White, Lost Properties, Coleman Projects. Installation view, 2012

David Ben White, Lost Properties, Coleman Projects. Installation view, 2012

Jan Eric Visser The garbage bag as muse, Curator: Colin Huizing Stedelijk Museum Schiedam, The Netherlands 11 January – 22 March 2020

Jan Eric Visser The garbage bag as muse, Curator: Colin Huizing Stedelijk Museum Schiedam, The Netherlands 11 January – 22 March 2020

Jan Eric Visser The garbage bag as muse, Curator: Colin Huizing Stedelijk Museum Schiedam, The Netherlands 11 January – 22 March 2020

Jan Eric Visser, Veritas, Venice, 2019

Jan Eric Visser, What branches grow out of this stony rubbish, l’étrangère, London, UK

Jan Eric Visser, What branches grow out of this stony rubbish, l’étrangère, London, UK

Jan Eric Visser, Untitled 2018, newspaper, reused printerpaper, inorganic houshold refuse, votive candle residue.107 x 97 x 55 cm.

Jan Eric Visser, Untitled 2019, newspaper, recycled posters, inorganic houshold refuse, seaclay, votive candle residue. 70 x 81 x 40 cm

Jan Eric Visser, Untitled 2018, newspaper, reused printerpaper, inorganic houshold refuse, votive candle residue. 81 x 71 x 66 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2017, newspaper, reused printerpaper and newsletter, inorganic houshold refuse, votive candle residue, 132 x 38 x 18 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2016-2017, newspaper, reused carboard and printerpaper, inorganic houshold refuse, votive candle residue, 95 x 26 x 70 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2012-2017, newspaper, leaflets, recycled books, inorganic houshold refuse, votive candle residue, 189 x 57 x 56 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2014-2015, newspaper, leaflets, inorganic houshold refuse, votive candle residue, 57 x 117 x 68 cm., photo by W. Vermaase

Jan Eric Visser, Untitled 2014, newspaper, reused printerpaper, inorganic houshold refuse, tea bags, votive candle residue. 104 x 63 x 36 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2008-2015, newspaper, reused printerpaper, inorganic houshold refuse, votive candle residue. 109 x 91 x 87 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2013, newspaper, leaflets, inorganic houshold refuse, ashes, wax. 89 x 66 x 50 cm, photo by JE Visser

Jan Eric Visser, Untitled 2013, newspaper, reused printerpaper, inorganic houshold refuse, wax, 76 x 54 x 66 cm, photo by JE Visser

Jan Eric Visser, Untitled 2012, newspaper, leaflets, inorganic houshold refuse, ashes, wax, 29 x 108 x 31 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2005-2008, newspaper, leaflets, inorganic household refuse, wax, 68 x 36 x 54 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2006, newspaper, leaflets, inorganic houshold refuse, wax, 58 x59 x 75 cm

Jan Eric Visser, Untitled 2004-2005, newspaper, leaflets, inorganic houshold refuse, ashes, wax, 133 x 52 x 39 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2004-2005, newspaper, leaflets, inorganic houshold refuse, wax, 75 x 30 x 24 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2003-2004, newspaper, leaflets, inorganic houshold refuse, wax, 58 x 25 x 44 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 2001, newspaper, leaflets, inorganic houshold refuse, wax, 74 x 107 x 103 cm, photo by W. Vermaase

Jan Eric Visser, Untitled 1999-2000, newspaper, leaflets, inorganic houshold refuse, ashes, wax, 85 x 86 x 123 cm, photo W. Vermaase

Jan Eric Visser, Untitled 1997, newspaper, leaflets, inorganic houshold refuse, wax, 42 x 59 x 59 cm, photo by F.T.L.Verdonk

Jan Eric Visser, Untitled 1988-1989, newspaper, inorganic houshold refuse, tallow, cardboard, cotton, 32 x 100 x 103 cm, photo by D. Mackaay, First sculpture filled with garbage

Bożenna Biskupska, Big Cage, 2008-2014, (BBLC01), oil on canvas 185 x 120 cm

Bożenna Biskupska, Big Cage, 2006-2012, (BBLC02) oil on canvas 185 x 120 cm

Bożenna Biskupska, Big Cage III, 2006 - 2012, oil on canvas 185 x 120 cm

Bożenna Biskupska, Big Cage 2006-2012, (BBLC03), oil on canvas 185 x 120 cm

Bożenna Biskupska, Big Cage, 2006-2012, (BBLC04), oil on canvas 185 x 120 cm

Bożenna Biskupska, Big Cage, 2006-2012, (BBLC05), oil on canvas 185 x 120 cm

Bożenna Biskupska, Slit Cage, 2009-2015, (BBMC06), oil on canvas 185 x 120 cm

Bożenna Biskupska, Multiple Cage, 2009-2015, (BBMC08)5, oil on canvas 130 x 100 cm

Bożenna Biskupska, Cage, 2000-2006, (BBSC09), oil on canvas 46 x 30 cm

Bożenna Biskupska, Cage, 2007-2013, (BBSC11), oil on canvas 47 x 27 cm

Bożenna Biskupska, Cage, 2006-2012, (BBSC13), oil on canvas 41 x 27 cm

Bożenna Biskupska, Cage, 2007-2013, (BBSC14), oil on canvas 41 x 27 cm

Bożenna Biskupska, Cage, 2008-2014, (BBSC19), oil on canvas 30 x 35 cm

Bożenna Biskupska, Cage, 2008-2014, (BBPC20), oil on paper 74,5 x 60 cm

Bożenna Biskupska, Cage (1), 2008-2014, BBPC21), oil on paper 35 x 30 cm

Bożenna Biskupska, Cage, 2008-2014, (BBPC22), oil on paper 35 x 30 cm

Bożenna Biskupska, Cage, 2005-2011, (BBPC23), oil on paper 40 x 30 cm

Bożenna Biskupska, Cage, 2005-2011, (BBPC24), oil on paper 40 x 30 cm

Bożenna Biskupska, Cage, 2005-2011, (BBPC25), oil on paper 40 x 30 cm

Bożenna Biskupska, Cage, 2005-2011, (BBPC26), oil on paper 40 x 30 cm

Bożenna Biskupska, Cage, 2005-2011, (BBPC27), oil on paper 40 x 30 cm

Bożenna Biskupska, Cage, 2005-2011, (BBPC28), oil on paper 40 x 30 cm

Bożenna Biskupska, Cage, 2005-2011, (BBPC29), oil on paper 40 x 30 cm

Bożenna Biskupska, Cage, 2005-2011, (BBPC30), oil on paper 40 x 30 cm

Krzysztof Gil, 'Tajsa', installation view, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', installation view, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Welcome to the Country where the Gypsy Has Been Hunted', l'étrangère

Krzysztof Gil, #12 - Hunting series (KG d01), 2018, chalk, charcoal, ink on paper, 70 x 50 cm

Krzysztof Gil, #13 - 'Hunting series (KG d02'), 2018, chalk, charcoal, ink on paper, 70 x 50 cm

Krzysztof Gil, '#11 - Hunting series (KGd03)', 2018, chalk, charcoal, ink on paper, 70 x 50 cm

Krzysztof Gil, #10 - 'Hunting series (KGd04)', 2018, chalk, charcoal, ink on paper, 70 x 50 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installationIron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light, 250 x 300 x 300 cm

Yelena Popova Promethean Chalice, 2020, Jacquard woven tapestry 190 x 140 cm

Yelena Popova Sun Paths, 2020, Distemper on canvas 152 x 127 cm

Yelena Popova Sun Paths, 2020, Distemper on canvas

Yelena Popova Sun Paths, 2020, Distemper on canvas 152 x 127 cm

Yelena Popova Sun Paths, 2020, Distemper on canvas

Yelena Popova, The Scholar Stones Project Curator: Zoe Watson Holden Gallery, Manchester School of Art, UK 7 February – 27 March 2020

Yelena Popova’s Ripple-Marked Radiance (after Hertha Ayrton) in Storey’s Field Centre, September 2019

Yelena Popova, l'etrangere gallery, installation view

Yelena Popova, l'etrangere gallery, installation view

Yelena Popova Townlets diagram, 2018 Unique woodblock print on paper 55 x 38cm

Yelena Popova Townlets diagram, 2018 Unique woodblock print on paper 55 x 38cm

Yelena Popova Townlets diagram, 2018 Unique woodblock print on paper 55 x 38cm

Evy Jokhova, I dance for you my edifice, l'étrangère, London, UK, Installation view, photo by Andy Keate

Evy Jokhova, 'From his gut in one heaving spasm erupted a stone', 2018, triptych, Bleach and pastel on linen, eco solvent print on plastic, felt 195 x 360 cm, photo by Andy Keate

Evy Jokhova, 'Steinman', 2018, Jesmonite, concrete, acrylic resin, polystyrene, stone effect, wood, felt, foam, audio, arduinos, soundboards, motion sensors, MDF, paint. 120 x 40 x 40 cm approx. / plinth: 40 x 50 x 50 cm, photo by Andy Keate

Evy Jokhova, 'Totem VI', 2018, Wood, acrylic resin, sand, stone effect, foam, jesmonite, granite, climbing rope, concrete, 156 x 20 x 20 cm; 'Totem VII', 2018, Wood, acrylic resin, sand, stone effect, tinted plaster, cardboard, jesmonite, granite, 142 x 21 x 25 cm, photo by Andy Keate

Evy Jokhova, 'Totem VIII', 2018, Wood, acrylic resin, sand, stone effect, climbing rope, jesmonite, cardboard, stone, 122 x 23 x 24 cm, photo by Andy Keate

Evy Jokhova, 'I dance for you my edifice', l'étrangère, London, UK, Installation view, photo by Andy Keate

Evy Jokhova, 'Totem X', 2018, Concrete, steel, stone, 180 x 20 x 20 cm approx.; 'Totem XI', 2018, Concrete, steel, stone, 140 x 20 x 20 cm, photo by Andy Keate

Evy Jokhova, Evy Jokhova, l'étrangère, installation view, photo by Andy Keate

Evy Jokhova, 'Sketch for passing through X', 2016, triptych, Oil, acrylic polymer and stone effect on linoleum, on panel, 27.5 x 60 cm, photo by Andy Keate

Evy Jokhova, 'Totem IX', 2018, Wood, dowel, acrylic resin, sand, stone effect, plaster, brick, 117 x 44 x 20 cm, photo by Andy Keate

Evy Jokhova, Template for Venetian Marble II, 2017, Oil on linoleum, on panel, 27.5 x 19 cm

Evy Jokhova, Sketch for Passing Through, 2015, Oil and stone effect paint on linoleum floor panels, each panel is 19 x 27.5cm

Evy Jokhova, Totem III, 2017. Cast cement, plaster acrylic, polymer, stone effect on polystyrene, steel, wifi tablet.

Evy Jokhova, Sketch for Passing Through, 2015, Oil and stone effect paint on linoleum floor panels

Evy Jokhova, Totem III, 2017. Cast cement, plaster acrylic, polymer, stone effect on polystyrene, steel, wifi tablet

Evy Jokhova, Sketch for a Failure of Budgets II, 2017, Paint, charcoal, photocopies, pencil on wall, MDF, cement, clay, linoleum. 280 x 390 x 180cm

Evy Jokhova, Wotruba-Score-Melody-1-and-2, 2016. Ink and pigment on Japanese paper, 40 x 600cm

Evy Jokhova, Pillar (diptych), 2014, Oil on two linoleum flooring panels

Evy Jokhova, Appendices II, 2018. Photograph, giclee print on premium luster 53 x 28 cm Edition 1 of 5 + A

Evy Jokhova, Appendices I, 2018. Photograph, giclee print on premium luster 50 x 28 cm Edition 1 of 5 + AP

Evy Jokhova, 'Sketch for passing through IV', 2016, Oil and stone effect on linoleum on panels, Installation on painted wall: 120 x 120 cm, 27.5 x 19 cm each, photo by Andy Keate

Evy Jokhova, Dark Bistre-Victory, 2014, Oil on linoleum panel

Florian Pugnaire + David Raffini, Show Me, 2016, still from video HD, 7 min 30 sec, ed. 1/5

Florian Pugnaire + David Raffini, Show Me, 2016, still from video HD, 7 min 30 sec, ed. 1/5

Florian Pugnaire + David Raffini, Untitled, 2016. Steel, car varnish, graphite, 190 x 20 x 105 cm

Florian Pugnaire + David Raffini, Untitled, 2016. Steel, car varnish, graphite, 195 x 10 x 100 cm

Florian Pugnaire + David Raffini, Untitled, 2016. Steel, car varnish, graphite, 200 x 100 cm

Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.

Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.

Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.

Florian Pugnaire + David Raffini, Untitled, 2016. Steel, 100 x 70 x 180 cm

Installation view: 'Show Me' at l'étrangère, Florian Pugnaire + David Raffini. Film: Energie Sombre (Dark Energy), 2012 Video HD 15 min

Florian Pugnaire, Installation view: 'Mechanical Stress,' 2016, Galerie Eva Vautier, Nice

Florian Pugnaire, Punching Bag, 2016, compressed gas container

Florian Pugnaire, Installation view: 'Mechanical Stress,' 2016, Galerie Eva Vautier, Nice

Florian Pugnaire, Untitled (Noeuds), 2015. Lead, approx. 50 x 30 x 25 cm

Florian Pugnaire, Hypercube, 2014. Stainless steel mirror, steel, hoists, 360 x 360 x 300 cm

Florian Pugnaire, Chjami Rispondi, 2013, aluminium, wench belt

Florian Pugnaire, Fossile, 2013. Wood structure, tow, natural coating, vegetal earth, approx, 450 x 280 x 140 cm

Florian Pugnaire, Fossile, 2013. Wood structure, tow, natural coating, vegetal earth, approx, 450 x 280 x 140 cm

Florian Pugnaire, Fossile, 2013. Wood structure, tow, natural coating, vegetal earth, approx, 450 x 280 x 140 cm

Florian Pugnaire, Shadow Boxing, 2010. Sculpture in stainless steel, chains approx., 125 x 200 x 220 cm

Florian Pugnaire,

Paula Chambers, Kitchen Shanks, 2017, kitchen utensils, women’s tights, hairbands, security grill, 60 x 90 x 10 cm

Paula Chambers, Kitchen Shanks, 2017, kitchen utensils, women’s tights, hairbands, security grill.

Paula Chambers, Domestic Front, 2018, site-specific installation at l'étrangère, variable size.

Paula Chambers, Bridie, 2016, site-specific installation at l'étrangère, variable size.

Paula Chambers, Domestic Front, 2018, site-specific installation at l'étrangère, variable size.

Paula Chambers, Domestic Front, 2018, site-specific installation at l'étrangère, variable size.

Paula Chambers, Domestic Front, 2018, site-specific installation at l'étrangère, variable size.

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.

Grzegorz Stefański, do-over, 2016, one-channel video projection, sound, dimensions variable, duration 1 min, looped, edition 3+2AP

Grzegorz Stefański, do-over, 2016, one-channel video projection, sound, dimensions variable, duration 1 min, looped, edition 3+2AP

Grzegorz Stefański, choke, létrangère, 2017, installation view

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.

Grzegorz Stefański, restraint, 2016, print on archival paper, mounted on aluminium, 40x35cm, ed. 5+2AP

Grzegorz Stefański, restraint, 2016, print on archival paper, mounted on aluminium, 40x35cm, ed. 5+2AP

István Szabó, Untitled, Hybrid series, 2017, ceramic, metal screws, prop base, brick.jpg

István Szabó, Untitled, Hybrid series, 2017. Ceramic, metal screws, prop base, brick 30 x 44 x 32 cm

István Szabó, Untitled, Hybrid series, 2017, ceramic, metal screw, recycled glass, 22,5 x 32,5 cm

István Szabó, Contact zone, 2017, l'étrangère, installation view

István Szabó, Black boulder, 2017, ceramic, London brick, black varnish, 19.5 x 26 x 33 cm, 29 x 32 x 19 cm

István Szabó, Contact zone, 2017, l'étrangère, installation view

István Szabó, Untitled [Large Boulder], 2017. Ceramic, ongobe with vanadium oxide, black varnish, approx. 52 x 56 x 36 cm

István Szabó, Untitled [Large Boulder], 2017. Ceramic, ongobe with vanadium oxide, black varnish, approx. 52 x 56 x 36 cm

István Szabó, Impact & Crust, Hybrid series, 2017, ceramic, iron oxide.

István Szabó, Crust, Hybrid series, 2017, ceramic, varnish, approx. 40 x 60 x 15 cm

István Szabó, Contact zone, 2017, l'étrangère, installation view

István Szabó, Contact zone, 2017, l'étrangère, installation view

István Szabó, Crust, 2017, ceramic, 38 x 60cm

István Szabó, Face, Hybrid series, 2017, ceramic, 30x 28cm

István Szabó, Untitled, Hybrid series, 2017, ceramic, 60x 45 cm

István Szabó, Totem, ceramic, 2014, 35 x 16 cm

Anja Langer, Airtime, 2016, wax-on-canvas, 105x 90cm

Anja Langer, Airtime, 2016, wax on canvas, 105x 90cm

Anja Langer, Airtime, 2016, wax on canvas, 195x 155 cm

Anja Langer, Airtime, 2016, wax on canvas, 145x 110 cm

Anja Langer, Airtime, 2016, wax on canvas, 220x 170cm

Anja Langer, Airtime, 2016, wax on canvas, 185x 140cm

Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm

Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm

Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm

Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm

Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm

Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm

David Raffini + Florian Pugnaire, Show Me, 2016, still from video HD, 7 min 30 sec, ed. 1/5

David Raffini + Florian Pugnaire, Show Me, 2016, still from video HD, 7 min 30 sec, ed. 1/5

David Raffini + Florian Pugnaire, Untitled, 2016. Steel, car varnish, graphite, 190 x 20 x 105 cm

David Raffini + Florian Pugnaire, Untitled, 2016. Steel, car varnish, graphite, 195 x 10 x 100 cm

David Raffini + Florian Pugnaire, Untitled, 2016. Steel, car varnish, graphite, 200 x 100 cm

David Raffini + Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.

David Raffini + Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.

David Raffini, Land Escape 4, 2014, painting, carnations on canvas, 175 x 280 cm

David Raffini, Capharnaüm, soul bois, 2012, painting on canvas, steel tube.

David Raffini, Capharnaüm, le bon pasteur, 2012, painting on canvas, 220 x 150 cm

David Raffini, Land Escape 3, 2014, paint on Bakelised Plywood, 375 x 375 cm

David Raffini, Accrétion, 2016, paints on canvas on plywood, 100 x 100 cm

David Raffini, Czarne Làs, 2016, paints on plywood, 161 x 100 cm

David Raffini, Éprouvette, 2016, paints on plywood, eyelets, nails, 20 x 100 cm

David Raffini, Subduction, 2016, paints on plywood, 100 x 100 cm

David Raffini, Territoire, 2016, paints on plywood, 100 x 100 cm

David Raffini, Chemical-trail, 2015- 2017, paints on free canvas, 280 x 180 cm

David Raffini, ça se passe comme ça, 2013, paint, tape, hole on aluminum / pvc sandwich, 120 x 210 cm

David Raffini, Chiffon de Cuivre, 2017, coper, nail, 110 x 50 x 30 cm

David Raffini, Chiffon de Cuivre, 2017, coper, nail, 110 x 50 x 30 cm

David Raffini, Tâches Etrangeres (Footsteps of Strangers), 2017, acrylic paint and pigment on canvas, 175 x 175 cm

Cédric Teisseire, SAW CITY DESTROYED SAME, 2014, 30/14, lacker, Spray on Dibond, aérosol, 125 x 124 cm

Cédric Teisseire, SAW CITY DESTROYED SAME, 2014, 65/15, lacker, Spray on Dibond, 45 x 45 cm

Cédric Teisseire, SAW CITY DESTROYED SAME, 2012, 36/12, lacker, Spray on Dibond, 41 x 41 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 01/17, 27 x 33 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 02/17, 31 x 18 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 03/17, 24 x 26 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 04/17, 28 x 19 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 05/17, 44 x 18 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 06/17, 45 x 16 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 06/17, 45 x 16 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2016, 07/16, 26 x 28 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 07/17, 37 x 20 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 12/15, 20 x 30 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2016, 13/16, 29 x 22 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 14/15, 26 x 24 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 15/15, 20 x 14 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 16/15, 22 x 30 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 21/15, 26 x 17 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 22/15, 26 x 17 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 27/15, 51 x 25 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 52/15, 20 x 25 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 63/15, 18 x 39 cm

Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 68/15, 26 x 18 cm

Calligramme XXIII (‘fossil’) , 1961, black, gold and red paint on paper , 52 x 63.5cm

Piétons Apocalypse , 1972, oil on canvas , 102 x 86 cm

A Person I Know, 1972,  oil on canvas,  75 x 63 cm

Drawing (breast), 1973, ink, coloured crayons on paper , 50 x 62 cm

Two Heads , 1973, ink on paper,  50 x 62 cm

Hieroglyph IV, 1979, felt pen and conté crayon on paper, 29.5 x 21 cm

Triple Drinkers I,  c. 1955, pen and ink on paper, 19 x 10cm

Double-flute (third version), c.1955 , pen and ink on paper,  15 x 11.5 cm

Man With Spare Feet,  c.1972, ink on paper, 52 x 33 cm

D53 22 The Urge to Transcend, study for the Way it Walks.jpg

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Stiff Peaks III

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley, G/raft 1&2, each two part sculpture of pink fluorescent edge-lit Plexiglas, two-way mirrored Plexiglas and vintage sawn hop hole, each part: 168 x 7.5 x 6 cm (Height of the work is the height of the artist), Edition of 3

Jyll Bradley, Balance (1&2), 2016, Acrylic paint, carbon and photocopy drawings on Khadi hand-made paper, mounted on aluminium. Balance 1: 21 x 18.5 cm, Balance 2: 12.5 x 12.5 cm, both edition of 3

Jyll Bradley, Notes (1), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Notes (2), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Notes (3), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Notes (4), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Notes (5), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique

Jyll Bradley, Currency, 2016, Drawings on black and light blue carbon papers mounted on green fluorescent edge-lit Plexiglas. Part of a multi-part work, each 8 cm diameter, Unique

Jyll Bradley, Tags (1), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique

Jyll Bradley, Tags (2), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique

Jyll Bradley, Tags (3), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère

Jyll Bradley with Thierry Bal, produced by Jyll Bradley, Brigitte, 2016, HD Video, Stereo Sound, 4:40 min

Jyll Bradley, Green Light (zips), 2014. Wall relief (Edition of 10) Flourescent Plexiglas, sawn vintage fir hop pole, drill bits. 165.1cm x 10cm

Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m

Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m

Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.

Jyll Bradley, Architecture Makes Form: Trees Create Space (For Aldo Giurgola), 2013, 29.5 x 20.5 cm

Katie Cuddon, Public Imagination, 2013, Pencil, pen, collage on paper, 38 x 56 cm (framed)

Katie Cuddon, Shame, 2014, Painted ceramic, 50 x 37 x 77

Katie Cuddon, Cool Speech, 2013, Painted ceramic, plaster, wood, 55 x 49 x 49 cm

Katie Cuddon, First Thought. Not your own, 2013, Pencil, pen, collage on paper (framed), 45 x 32 cm

Katie Cuddon, An uncertain matter of fact, 2013, Pencil, collage on paper, 38 x 56 cm (framed)

Katie Cuddon, The bottom of thought, 2013, Pencil, pen, collage on paper, 50 x 70 cm

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

SUCKERZ, 2015. Installation view

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)

Piotr Krzymowski, What's New? (Brigitte), 2016, Décollage on wooden board ,42 x 57 cm framed

Piotr Krzymowski, What's New? (Paul), 2016, Décollage on wooden board ,42 x 57 cm framed

Piotr Krzymowski, What's New? (Catherine), 2016, Décollage on wooden board ,42 x 57 cm framed

Piotr Krzymowski, What's New? (Liz), 2016, Décollage on wooden board ,42 x 57 cm framed

Piotr Krzymowski, A Jutro Spadnie Śnieg (And It Will Snow Tomorrow) , 2016 , Paper collage and gouache paint on archival paper , 76x111 cm (framed)

Piotr Krzymowski, Drugie Zycie Kina (Second Life of the Cinema) , 2016 , Paper collage and gouache paint on archival paper , 76x111 cm (framed)

Piotr Krzymowski, Był Film - Nie Ma Filmu (There Was a Film - There Is No Film) , 2016 , Paper collage and gouache paint on archival paper , 76x111 cm (framed)

Piotr Krzymowski, Pięć Minut Przed Dwunastą (Five to Noon) , 2016 , Paper collage and gouache paint on archival paper , 76x111 cm (framed)

Piotr Krzymowski, Twarzą w Twarz (Face to Face) , 2016 , Paper collage and gouache paint on archival paper , 76x111 cm (framed)

Piotr Krzymowski, cover to cover, 'Film' magazine covers on wooden newspaper holders, dimension variable, 2014

Piotr Krzymowski, Not Blood (Spider Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm

Piotr Krzymowski, Not Blood (Beige), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm

Piotr Krzymowski, Not Blood (Pitch Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm

Piotr Krzymowski, Not Blood (Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm

Piotr Krzymowski, Not Blood (Black and White), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm

Piotr Krzymowski, Not Blood (White and Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm

Piotr Krzymowski, Not Blood (Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm

Piotr Krzymowski, Echos, series of posters for non-existing films, paper and vintage fashion magazines, 30 x 43 cm, 2011 – present

Piotr Krzymowski, Laura M., Echos series of posters for non-existing films, paper and vintage fashion magazines, 30 x 43 cm, 2011 – present

Marie Jeschke,  Digital Dementia, 2018 Unique analogue photographic print on Fuji paper, mixed liquids 100 x 64 cm

Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 12.5 x 9 cm 40.5 x 35.5 cm (framed)

Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 12.5 x 9 cm 40.5 x 35.5 cm (framed)

Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 9 x 12.5 cm 40.5 x 35.5 cm (framed)

Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 10 x 9 cm 40.5 x 35.5 cm (framed)

Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 9 x 12.5 cm 40.5 x 35.5 cm (framed)

Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 12.5 x 9 cm 40.5 x 35.5 cm (framed)

Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 9.5 x 13.5 cm 40.5 x 35.5 cm (framed)

Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 17 x 12.5 cm 40.5 x 35.5 cm (framed)

Marie Jeschke, Can’t Remember Always Always, 2015, Glass vessel with laser-cut lid and stone, 40 x 30 x 8 cm

Marie Jeschke, Always Always, 2015, Glass vessel with laser-cut lid and stone, 40 x 30 x 8 cm

Always Always, 2015, Glass vessel with laser-cut lid and stone, 40 x 30 x 8 cm

Marie Jeschke, Always Always, 2015, Glass vessel with laser-cut lid and stone, 40 x 30 x 8 cm

Marie Jeschke, Can’t Remember Always Always, 2015, Glass vessels with laser-cut lid and stone, each 40 x 30 x 8 cm

Contact Zone, Exhibition view, l'etrangere, 2017, Marie Jeschke, Anja Langer, Istvan Szabo

Marie Jeschke and Anja Langer, ID Totos, Papayango Toto (2016), glass, wood, fur, ink, metal, foil, pigments, 121 x 63 cm (with stand), Contact Zone, Exhibition view, l'etrangere, 2017

Marie Jeschke and Anja Langer, Trick me in two totos grindin‘ dosin‘ grindin‘ dosin‘ 2016, glass, toilet paper, ceramic plate, silicon, ink, watercolour, wood, paint, approx. 170 x 90 cm

Marie Jeschke, girl lost in thought (backside), 2016

Marie Jeschke, Can't Remember Always Always, 2016, l'etrangere Gallery, installation view, phot. Andy Keate

Marie Jeschke, Kieshofer Moor, Always (Mark 3), 2015, Unique analogue print on aluminium, 145 x 100 x 15 cm

Marie Jeschke, Kieshofer Moor, Always (Mark 2), 2015, Unique analogue print on aluminium, 140 x 110 x 15 cm

Marie Jeschke, Kieshofer Moor, Always (Mark 4), 2015, Unique analogue print on aluminium, 145 x 102 x 15 cm

Marie Jeschke, Kieshofer Moor, Always (Mark 1), 2015, Unique analogue print on aluminium, 149 x 102 x 15 cm

Marie Jeschke, Kieshofer Moor, Always (Mark 5), 2015, Unique analogue print on aluminium, 146 x 70 x 15 cm

Marie Jeschke and Anja Langer, Trick me in two totos part me bebe, camerad 2016, glass, toilet paper, latex, silicon, tape, wood, paint, approx. 170 x 90 cm

Katharine Marszewski, Visual Shelter (Überlegung zu einer Firma), 2015, Mounted C-print with customised frame, 53 x 75 cm, Edition 1/3 + 1AP

Katharine Marszewski, Searchers, 2015, Screen print on canvas, lacquer, spray paint, 160 x 202 cm

Katharine Marszewski, Screen in Mechanical Bluish, 2015, Screen print on fabric, glue, netting, aluminium, 121 x 160 cm

Katharine Marszewski, Screen in Dirty Desert Rosé, 2015, Screen print on fabric, glue, netting, aluminium, 121 x 160 cm

Katharine Marszewski, Here Comes Intensity, 2015, Mounted C-print in customised frame, 74 x 104 cm, Edition 1/3 + 1AP

Katharine Marszewski, Here Comes Intuution, 2015, Mounted C-print in customised frame, 74 x 104 cm, Edition 1/3 + 1AP

Katharine Marszewski, She / Extended mirror edit (for Annie), 2015, Paper, screen print, lacquer, pigment, wood, 61 x 44 cm

Katharine Marszewski, Lacquer piece (from the Red series), 2015, Paper, lacquer, pigment, 30 x 42 cm

Katharine Marszewski, From Coast to Coat (wall piece), 2015, Screen print, Dimensions variable (installation size: 460 x 330 cm)

Katharine Marszewski, Spiralo Justice, 2015, Steel, telephone wires, spray paint, Dimensions variable (each element: 27 x 35 x 100 cm)

Katharine Marszewski, Installation view

Katharine Marszewski, Installation view

Marek Szczęsny, l'étrangère, installation view

Marek Szczęsny, Untitled, 2010, oil on canvas, wood, 230 x 180 cm

Marek Szczęsny, 'Passage', 2017, acrylic on canvas, metal, paper, 160 x 130 cm

Marek Szczęsny, Untitled, 2015, oil on canvas, 220 x 170 cm

Marek Szczęsny, Untitled, 2009, oil on canvas, 230 x 160 cm

Marek Szczęsny, Untitled, 2013, oil on canvas, wood, 230 x 180 cm

Marek Szczęsny, Untitled, 2013, acrylic on paper, 120 x 100 cm

Marek Szczęsny, Untitled, 2017, oil on canvas, 220 x 170 cm

Marek Szczęsny, Untitled, 2016, oil on canvas, metal, wood, 220 x 170 cm

Marek Szczęsny, Untitled, 2012, oil on canvas, wood, 190 x 170 cm

Marek Szczęsny, White powder on glass, 2013, Oil on canvas, 195 x 130 cm

Marek Szczęsny, Emigrant #1, 2010, Acrylic on paper, cardboard, 149 x 120 cm

Marek Szczęsny, Emigrant #3, 2010 Acrylic on paper, plastic 160 x 120 cm

Marek Szczęsny, Untitled, 2010, Acrylic paper, 105 x 75 cm

Marek Szczęsny, Untitled, 2010, Acrylic on paper, 75 x 105 cm

Marek Szczęsny, Untitled, 2009, Acrylic on paper, 110 x 75 cm

Marek Szczęsny, Untitled, 2009, Acrylic on paper, 75 x 110 cm

Marek Szczęsny, Untitled, 2009, Acrylic on paper, 110 x 75 cm

Marek Szczęsny, Untitled, 2009, Acrylic paper, 105 x 75 cm

Marek Szczęsny, Untitled, 2008, Acrylic on paper, 90 x 75 cm

Marek Szczęsny, Untitled, 2008, Acrylic on paper, 110 x 75 cm