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Uterus Pumpkins
Uterus Pumpkins

6 Photos

Arpilleras
Arpilleras

2 Photos

Sculptures
Sculptures

2 Photos

Betrayal: Shattered in a moment
Betrayal: Shattered in a moment

3 Photos

Feminist Painting
Feminist Painting

8 Photos

Stimulated Situations
Stimulated Situations

17 Photos

On Fire and Concrete
On Fire and Concrete

2 Photos

The Inventory
The Inventory

5 Photos

Night Mares
Night Mares

3 Photos

My Poppy Houses
My Poppy Houses

13 Photos

POST
POST

14 Photos

I Save What I Love
I Save What I Love

3 Photos

The Deepening
The Deepening

7 Photos

Fetish of  the Image
Fetish of the Image

5 Photos

Second Skin
Second Skin

5 Photos

 
 
 
Arlene Slavin<em> Intersections (G20)</em>, 2019  Acrylic on canvas 122 x 92 cm (48” x 36”)
Arlene Slavin <em>Intersections (G22</em>), 2019 Acrylic on canvas 152 x 92 cm (60” x 36”)
Arlene Slavin <em>Intersections (G24)</em>, 2019 Acrylic on canvas 92 x 152 cm (36” x 60”)
Arlene Slavin <em>Intersections (G25)</em>, 2019 Acrylic on canvas 92 x 122 cm (36” x 48”)
Arlene Slavin <em>Intersections (G9)</em>, 2019 Acrylic on canvas 60 x 76 cm (24” x 30”)
Arlene Slavin <em>Intersections (G26)</em>, 2019 Acrylic on canvas 92 x 122 cm (36” x 48”)
Arlene Slavin <em>Intersections, (G8)</em> 2019 Acrylic on canvas 92 x 60 cm (36” x 24”)
Arlene Slavin, Bronx Museum, 2017, installation view
Arlene Slavin, Bronx Museum, 2017, installation view
Arlene Slavin, Bronx Museum, 2017, installation view
Arlene Slavin, Bronx Museum, 2017, installation view
Arlene Slavin, Bronx Museum, 2017, installation view
Arlene Slavin, Bronx Museum, 2017, installation view
Arlene Slavin, Guild Hall, New York, 2014, installation view
Arlene Slavin, Guild Hall, New York, 2014, installation view
Arlene Slavin, Guild Hall, New York, 2014, installation view

 

Anna Perach<br />Frida<br />2020<br />tufted yarn and wooden frame<br />130x150x90cm
Anna Perach,<br />Alkonost<br />2019<br />tufted yarn artificial hair and hand embroidery<br />80x130cm
Anna Perach<br />Baba Yaga<br />2018<br />tufted yarn artificial hair<br />90x170cm
Anna Perach<br />Birth<br />2018<br />mark tufted yarn metal wire<br />80x120cm
Anna Perach<br />Pafti Belt<br />2018<br />buckles tufted yarn and artificial hair<br />68x51cm
Anna Perach<br />Shadow<br />2017<br />tufted yarn<br />38×45 cm
Anna Perach<br />The Drunken Bride<br />2019<br />tufted yarn metal frame<br />43x200cm
Anna Perach<br />The red house lord<br />2018<br />tufted yarn and artificial hair<br />115x140cm

David Ben White, Fabrication of Pleasure  81cm x 61cm, mixed media, 2013
David Ben White, Fabrication of Pleasure  123cm x 123cm, mixed media, 2013
David Ben White, Fabrication of Pleasure  81cm x 61cm, mixed media, 2013
David Ben White, Fabrication of Pleasure  50cm x 40cm, mixed media, 2013
David Ben White, Fabrication of Pleasure  50cm x 40cm, mixed media, 2013
David Ben White, Let's sit down and talk about it [collaboration with Fay Nicholson], installation view, Gerald Moore gallery, 2014
David Ben White, Let's sit down and talk about it [collaboration with Fay Nicholson], installation view, Gerald Moore gallery, 2014
David Ben White, Living Room installation, Kerstin Engholm Gallery, 2013
David Ben White, Living Room installation, Kerstin Engholm Gallery, 2013
David Ben White, Living Room installation, Kerstin Engholm Gallery, 2013
David Ben White, Temples to the Domestic, installation view, Clifford Chance, Canary Wharf, 2012
David Ben White, Temples to the Domestic, installation view, Clifford Chance, Canary Wharf, 2012
David Ben White, Temples to the Domestic, installation view, Clifford Chance, Canary Wharf, 2012
David Ben White, Riptide, Kerstin Engholm Gallery, 2012
David Ben White, Lost Properties, Coleman Projects. Installation view, 2012
David Ben White, Lost Properties, Coleman Projects. Installation view, 2012

Jan Eric Visser, Untitled, 2020, newspaper, reused paper, inorganic household waste, sea clay, votive candle residue, 151x100x85cm
Jan Eric Visser, Untitled, 2020, Newspaper, reused printer paper, inorganic household refuse, sea clay, votive candle residue, 140x10x20cm
Jan Eric Visser The garbage bag as muse, Curator: Colin Huizing Stedelijk Museum Schiedam, The Netherlands 11 January – 22 March 2020
Jan Eric Visser,  Untitled, 2019, newspaper recycled posters, inorganic household refuse, sea clay, votive candle residue, 70x81x40cm
Jan Eric Visser, Untitled, 2018, newspaper reused printer paper, inorganic household refuse, votive candle residue, 107x97x55cm.
Jan Eric Visser, Untitled 2018, newspaper, reused printerpaper, inorganic houshold refuse, votive candle residue. 81 x 71 x 66 cm, photo by W. Vermaase
Jan Eric Visser, Untitled 2017, newspaper, reused printerpaper and newsletter, inorganic houshold refuse, votive candle residue, 132 x 38 x 18 cm, photo by W. Vermaase
Jan Eric Visser, Untitled 2016-2017, newspaper, reused carboard and printerpaper, inorganic houshold refuse, votive candle residue, 95 x 26 x 70 cm, photo by W. Vermaase
Jan Eric Visser The garbage bag as muse, Curator: Colin Huizing Stedelijk Museum Schiedam, The Netherlands 11 January – 22 March 2020
Jan Eric Visser, Untitled 2012-2017, newspaper, leaflets, recycled books, inorganic houshold refuse, votive candle residue, 189 x 57 x 56 cm, photo by W. Vermaase
Jan Eric Visser The garbage bag as muse, Curator: Colin Huizing Stedelijk Museum Schiedam, The Netherlands 11 January – 22 March 2020
Jan Eric Visser, Untitled 2014-2015, newspaper, leaflets, inorganic houshold refuse, votive candle residue, 57 x 117 x 68 cm., photo by  W. Vermaase
Jan Eric Visser, Veritas, Venice, 2019
Jan Eric Visser, Untitled 2014, newspaper, reused printerpaper, inorganic houshold refuse, tea bags, votive candle residue. 104 x 63 x 36 cm, photo by W. Vermaase
Jan Eric Visser, What branches grow out of this stony rubbish, l’étrangère, London, UK
Jan Eric Visser, Untitled 2008-2015, newspaper, reused printerpaper, inorganic houshold refuse, votive candle residue. 109 x 91 x 87 cm, photo by W. Vermaase
Jan Eric Visser, What branches grow out of this stony rubbish, l’étrangère, London, UK
Jan Eric Visser, Untitled 2013, newspaper, leaflets, inorganic houshold refuse, ashes, wax. 89 x 66 x 50 cm, photo by JE Visser
Jan Eric Visser, Untitled 2013, newspaper, reused printerpaper, inorganic houshold refuse, wax, 76 x 54 x 66 cm, photo by JE Visser
Jan Eric Visser, Untitled 2012, newspaper, leaflets, inorganic houshold refuse, ashes, wax, 29 x 108 x 31 cm, photo by W. Vermaase
Jan Eric Visser, Untitled, 2017, (River Great Ouse VIII, 2017), newspaper reused printer paper, inorganic household refuse, votive candle residue, 50x33x29cm-ph.-W.-Vermaase
Jan Eric Visser, Untitled 2005-2008, newspaper, leaflets, inorganic household refuse, wax, 68 x 36 x 54 cm, photo by W. Vermaase
Jan Eric Visser, Untitled 2006, newspaper, leaflets, inorganic houshold refuse, wax, 58 x59 x 75 cm
Jan Eric Visser, Untitled 2004-2005, newspaper, leaflets, inorganic houshold refuse, ashes, wax, 133 x 52 x 39 cm, photo by W. Vermaase
Jan Eric Visser, Untitled 2004-2005, newspaper, leaflets, inorganic houshold refuse, wax, 75 x 30 x 24 cm, photo  by W. Vermaase
Jan Eric Visser, Untitled 2003-2004, newspaper, leaflets, inorganic houshold refuse, wax, 58 x 25 x 44 cm, photo by W. Vermaase
Jan Eric Visser, Untitled 2001, newspaper, leaflets, inorganic houshold refuse, wax, 74 x 107 x 103 cm, photo by W. Vermaase
Jan Eric Visser, Untitled 1999-2000, newspaper, leaflets, inorganic houshold refuse, ashes, wax, 85 x 86 x 123 cm, photo W. Vermaase
Jan Eric Visser, Untitled 1997, newspaper, leaflets, inorganic houshold refuse, wax, 42 x 59 x 59 cm, photo by F.T.L.Verdonk
Jan Eric Visser, Untitled 1988-1989, newspaper, inorganic houshold refuse, tallow, cardboard, cotton, 32 x 100 x 103 cm, photo by D. Mackaay, First sculpture filled with garbage

Bożenna Biskupska, Big Cage, 2008-2014, (BBLC01),  oil on canvas 185 x 120 cm
Bożenna Biskupska, Big Cage, 2006-2012, (BBLC02)  oil on canvas 185 x 120 cm
Bożenna Biskupska, Big Cage III, 2006 - 2012,  oil on canvas 185 x 120 cm
Bożenna Biskupska, Big Cage 2006-2012, (BBLC03),  oil on canvas 185 x 120 cm
Bożenna Biskupska, Big Cage, 2006-2012, (BBLC04),  oil on canvas 185 x 120 cm
Bożenna Biskupska, Big Cage, 2006-2012, (BBLC05),  oil on canvas 185 x 120 cm
Bożenna Biskupska, Slit Cage, 2009-2015, (BBMC06),  oil on canvas 185 x 120 cm
Bożenna Biskupska, Cage, 2000-2006, (BBSC09),  oil on canvas 46 x 30 cm
Bożenna Biskupska, Multiple Cage, 2009-2015, (BBMC08)5,  oil on canvas 130 x 100 cm
Bożenna Biskupska, Cage, 2007-2013, (BBSC11),  oil on canvas 47 x 27 cm
Bożenna Biskupska, Cage, 2006-2012, (BBSC13),  oil on canvas 41 x 27 cm
Bożenna Biskupska, Cage, 2007-2013, (BBSC14), oil on canvas 41 x 27 cm
Bożenna Biskupska, Cage, 2008-2014, (BBSC19),  oil on canvas 30 x 35 cm
Bożenna Biskupska, Cage, 2008-2014, (BBPC20),  oil on paper 74,5 x 60 cm
Bożenna Biskupska, Cage (1), 2008-2014, BBPC21),  oil on paper 35 x 30 cm
Bożenna Biskupska, Cage, 2008-2014, (BBPC22),  oil on paper 35 x 30 cm
Bożenna Biskupska, Cage, 2005-2011, (BBPC23),  oil on paper 40 x 30 cm
Bożenna Biskupska, Cage, 2005-2011, (BBPC24),  oil on paper 40 x 30 cm
Bożenna Biskupska, Cage, 2005-2011, (BBPC25),  oil on paper 40 x 30 cm
Bożenna Biskupska, Cage, 2005-2011, (BBPC26),  oil on paper 40 x 30 cm
Bożenna Biskupska, Cage, 2005-2011, (BBPC27),  oil on paper 40 x 30 cm
Bożenna Biskupska, Cage, 2005-2011, (BBPC28),  oil on paper 40 x 30 cm
Bożenna Biskupska, Cage, 2005-2011, (BBPC29),   oil on paper 40 x 30 cm
Bożenna Biskupska, Cage, 2005-2011, (BBPC30),  oil on paper 40 x 30 cm

NOVA
NOVA

4 Photos

Revolutionary Karaoke
Revolutionary Karaoke

2 Photos

What If As If
What If As If

2 Photos

The Ones Who Walk Away
The Ones Who Walk Away

2 Photos

Our Friends’ Jobs
Our Friends’ Jobs

2 Photos

Monument to Victims of Capitalism
Monument to Victims of Capitalism

2 Photos

Impersonal Improvement
Impersonal Improvement

2 Photos

Silence of Sources
Silence of Sources

2 Photos

Precarious Workers’ Monument
Precarious Workers’ Monument

2 Photos

Dark Fibres
Dark Fibres

1 Photos

Dreamed Revolution
Dreamed Revolution

1 Photos

Reap, Glean, Garner
Reap, Glean, Garner

2 Photos

Tear Dealer
Tear Dealer

2 Photos

Broniow Song
Broniow Song

2 Photos

Krzysztof Gil, 'Tajsa',  installation view, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa',  installation view, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Welcome to the Country where the Gypsy Has Been Hunted', l'étrangère
Krzysztof Gil, #12 - Hunting series (KG d01), 2018, chalk, charcoal, ink on paper, 70 x 50 cm
Krzysztof Gil, #13 - 'Hunting series (KG d02'), 2018,  chalk, charcoal, ink on paper, 70 x 50 cm
Krzysztof Gil, '#11 - Hunting series (KGd03)', 2018, chalk, charcoal, ink on paper, 70 x 50 cm
Krzysztof Gil, #10 - 'Hunting series (KGd04)', 2018,  chalk, charcoal, ink on paper, 70 x 50 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installationIron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm
Krzysztof Gil, 'Tajsa', excerpt of the installation, Iron, timber, canvas, string, ink, chalk, soil, sound system, light,  250  x 300 x 300 cm

Evy Jokhova,  I dance for you my edifice, l'étrangère, London, UK, Installation view,  photo by Andy Keate
Evy Jokhova, 'From his gut in one heaving spasm erupted a stone', 2018, triptych,  Bleach and pastel on linen, eco solvent print on plastic, felt 195 x 360 cm,  photo by Andy Keate
Evy Jokhova, 'Steinman', 2018, Jesmonite, concrete, acrylic resin, polystyrene, stone effect, wood, felt, foam, audio, arduinos, soundboards, motion sensors, MDF, paint. 120 x 40 x 40 cm approx. / plinth: 40 x 50 x 50 cm,  photo by Andy Keate
Evy Jokhova, 'Totem VI', 2018, Wood, acrylic resin, sand, stone effect, foam, jesmonite, granite, climbing rope, concrete, 156 x 20 x 20 cm; 'Totem VII', 2018, Wood, acrylic resin, sand, stone effect, tinted plaster, cardboard, jesmonite, granite, 142 x 21 x 25 cm,  photo by Andy Keate
Evy Jokhova, 'Totem VIII', 2018, Wood, acrylic resin, sand, stone effect, climbing rope, jesmonite, cardboard, stone, 122 x 23 x 24 cm,  photo by Andy Keate
Evy Jokhova, 'I dance for you my edifice', l'étrangère, London, UK, Installation view,  photo by Andy Keate
Evy Jokhova, 'Totem X', 2018, Concrete, steel, stone, 180 x 20 x 20 cm approx.; 'Totem XI', 2018, Concrete, steel, stone, 140 x 20 x 20 cm,  photo by Andy Keate
Evy Jokhova, Evy Jokhova, l'étrangère, installation view, photo by Andy Keate
Evy Jokhova, 'Sketch for passing through X',  2016, triptych, Oil, acrylic polymer and stone effect on linoleum, on panel, 27.5 x 60 cm,  photo by Andy Keate
Evy Jokhova, 'Totem IX', 2018, Wood, dowel, acrylic resin, sand, stone effect, plaster, brick, 117 x 44 x 20 cm,  photo by Andy Keate
Evy Jokhova, Template for Venetian Marble II, 2017, Oil on linoleum, on panel, 27.5 x 19 cm
Evy Jokhova, Sketch for Passing Through, 2015, Oil and stone effect paint on linoleum floor panels, each panel is 19 x 27.5cm
Evy Jokhova, Totem III, 2017. Cast cement, plaster acrylic, polymer, stone effect on polystyrene, steel, wifi tablet.
Evy Jokhova, Sketch for Passing Through, 2015, Oil and stone effect paint on linoleum floor panels
Evy Jokhova, Totem III, 2017. Cast cement, plaster acrylic, polymer, stone effect on polystyrene, steel, wifi tablet
Evy Jokhova, Sketch for a Failure of Budgets II, 2017, Paint, charcoal, photocopies, pencil on wall, MDF, cement, clay, linoleum. 280 x 390 x 180cm
Evy Jokhova, Wotruba-Score-Melody-1-and-2, 2016. Ink and pigment on Japanese paper, 40 x 600cm
Evy Jokhova, Pillar (diptych), 2014, Oil on two linoleum flooring panels
Evy Jokhova, Appendices II, 2018. Photograph, giclee print on premium luster 53 x 28 cm Edition 1 of 5 + A
Evy Jokhova, Appendices I, 2018. Photograph, giclee print on premium luster 50 x 28 cm Edition 1 of 5 + AP
Evy Jokhova, 'Sketch for passing through IV', 2016, Oil and stone effect on linoleum on panels, Installation on painted wall: 120 x 120 cm, 27.5 x 19 cm each,  photo by Andy Keate
Evy Jokhova, Dark Bistre-Victory, 2014, Oil on linoleum panel

Florian Pugnaire + David Raffini, Show Me, 2016, still from video HD, 7 min 30 sec, ed. 1/5
Florian Pugnaire + David Raffini, Show Me, 2016, still from video HD, 7 min 30 sec, ed. 1/5
Florian Pugnaire + David Raffini, Untitled, 2016. Steel, car varnish, graphite, 190 x 20 x 105 cm
Florian Pugnaire + David Raffini, Untitled, 2016. Steel, car varnish, graphite, 195 x 10 x 100 cm
Florian Pugnaire + David Raffini, Untitled, 2016. Steel, car varnish, graphite, 200 x 100 cm
Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.
Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.
Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.
Florian Pugnaire + David Raffini, Untitled, 2016. Steel, 100 x 70 x 180 cm
Installation view: 'Show Me' at l'étrangère, Florian Pugnaire + David Raffini. Film: Energie Sombre (Dark Energy), 2012 Video HD 15 min
Florian Pugnaire, Installation view: 'Mechanical Stress,' 2016, Galerie Eva Vautier, Nice
Florian Pugnaire, Punching Bag, 2016, compressed gas container
Florian Pugnaire, Installation view: 'Mechanical Stress,' 2016, Galerie Eva Vautier, Nice
Florian Pugnaire, Untitled (Noeuds), 2015. Lead, approx. 50 x 30 x 25 cm
Florian Pugnaire, Hypercube, 2014. Stainless steel mirror, steel, hoists, 360 x 360 x 300 cm
Florian Pugnaire, Chjami Rispondi, 2013, aluminium, wench belt
Florian Pugnaire, Fossile, 2013. Wood structure, tow, natural coating, vegetal earth, approx, 450 x 280 x 140 cm
Florian Pugnaire, Fossile, 2013. Wood structure, tow, natural coating, vegetal earth, approx, 450 x 280 x 140 cm
Florian Pugnaire, Fossile, 2013. Wood structure, tow, natural coating, vegetal earth, approx, 450 x 280 x 140 cm
Florian Pugnaire, Shadow Boxing, 2010. Sculpture in stainless steel, chains approx., 125 x 200 x 220 cm
Florian Pugnaire,

Paula Chambers, Kitchen Shanks, 2017, kitchen utensils, women’s tights, hairbands, security grill, 60 x 90 x 10 cm
Paula Chambers, Kitchen Shanks, 2017, kitchen utensils, women’s tights, hairbands, security grill.
Paula Chambers, Domestic Front, 2018, site-specific installation at l'étrangère, variable size.
Paula Chambers, Bridie, 2016, site-specific installation at l'étrangère, variable size.
Paula Chambers, Domestic Front, 2018, site-specific installation at l'étrangère, variable size.
Paula Chambers, Domestic Front, 2018, site-specific installation at l'étrangère, variable size.
Paula Chambers, Domestic Front, 2018, site-specific installation at l'étrangère, variable size.

Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.
Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.
Grzegorz Stefański, do-over, 2016, one-channel video projection, sound, dimensions variable, duration 1 min, looped, edition 3+2AP
Grzegorz Stefański, do-over, 2016, one-channel video projection, sound, dimensions variable, duration 1 min, looped, edition 3+2AP
Grzegorz Stefański, choke, létrangère, 2017, installation view
Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.
Grzegorz Stefański, choke, 2017, one-channel film installation, dimensions variable duration 10min., looped, edition 3+2AP. Director of photography: Mikołaj Syguda. Choreography and performance: Mateusz Korcz i Andrzej.
Grzegorz Stefański, restraint, 2016, print on archival paper, mounted on aluminium, 40x35cm, ed. 5+2AP
Grzegorz Stefański, restraint, 2016, print on archival paper, mounted on aluminium, 40x35cm, ed. 5+2AP

István Szabó, Untitled, Hybrid series, 2017, ceramic, metal screws, prop base, brick.jpg
István Szabó, Untitled, Hybrid series, 2017. Ceramic, metal screws, prop base, brick 30 x 44 x 32 cm
István Szabó, Untitled, Hybrid series, 2017, ceramic, metal screw, recycled glass, 22,5 x 32,5 cm
István Szabó, Contact zone, 2017, l'étrangère, installation view
István Szabó, Black boulder, 2017, ceramic, London brick, black varnish, 19.5 x 26 x 33 cm, 29 x 32 x 19 cm
István Szabó, Contact zone, 2017, l'étrangère, installation view
István Szabó, Untitled [Large Boulder], 2017. Ceramic, ongobe with vanadium oxide, black varnish, approx. 52 x 56 x 36 cm
István Szabó, Untitled [Large Boulder], 2017. Ceramic, ongobe with vanadium oxide, black varnish, approx. 52 x 56 x 36 cm
István Szabó, Impact & Crust, Hybrid series, 2017, ceramic, iron oxide.
István Szabó, Crust, Hybrid series, 2017, ceramic, varnish, approx. 40 x 60 x 15 cm
István Szabó, Contact zone, 2017, l'étrangère, installation view
István Szabó, Contact zone, 2017, l'étrangère, installation view
István Szabó, Crust, 2017, ceramic, 38 x 60cm
István Szabó, Face, Hybrid series, 2017, ceramic, 30x 28cm
István Szabó, Untitled, Hybrid series, 2017, ceramic, 60x 45 cm
István Szabó, Totem, ceramic, 2014, 35 x 16 cm

Anja Langer, Airtime, 2016, wax-on-canvas, 105x 90cm
Anja Langer, Airtime, 2016, wax on canvas, 105x 90cm
Anja Langer, Airtime, 2016, wax on canvas, 195x 155 cm
Anja Langer, Airtime, 2016, wax on canvas, 145x 110 cm
Anja Langer, Airtime, 2016, wax on canvas, 220x 170cm
Anja Langer, Airtime, 2016, wax on canvas, 185x 140cm
Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm
Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm
Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm
Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm
Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm
Anja Langer, Mince Matters, 2014, mixed media, 40x 30cm

David Raffini + Florian Pugnaire, Show Me, 2016, still from video HD, 7 min 30 sec, ed. 1/5
David Raffini + Florian Pugnaire, Show Me, 2016, still from video HD, 7 min 30 sec, ed. 1/5
David Raffini + Florian Pugnaire, Untitled, 2016. Steel, car varnish, graphite, 190 x 20 x 105 cm
David Raffini + Florian Pugnaire, Untitled, 2016. Steel, car varnish, graphite, 195 x 10 x 100 cm
David Raffini + Florian Pugnaire, Untitled, 2016. Steel, car varnish, graphite, 200 x 100 cm
David Raffini + Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.
David Raffini + Florian Pugnaire, Energie Sombre (Dark Energy), 2012, still from video HD, 15 min.
David Raffini, Land Escape 4, 2014, painting, carnations on canvas, 175 x 280 cm
David Raffini, Capharnaüm, soul bois, 2012, painting on canvas, steel tube.
David Raffini, Capharnaüm, le bon pasteur, 2012, painting on canvas, 220 x 150 cm
David Raffini, Land Escape 3, 2014, paint on Bakelised Plywood, 375 x 375 cm
David Raffini, Accrétion, 2016, paints on canvas on plywood, 100 x 100 cm
David Raffini, Czarne Làs, 2016, paints on plywood, 161 x 100 cm
David Raffini, Éprouvette, 2016, paints on plywood, eyelets, nails, 20 x 100 cm
David Raffini, Subduction, 2016, paints on plywood, 100 x 100 cm
David Raffini, Territoire, 2016, paints on plywood, 100 x 100 cm
David Raffini, Chemical-trail, 2015- 2017, paints on free canvas, 280 x 180 cm
David Raffini, ça se passe comme ça, 2013, paint, tape, hole on aluminum / pvc sandwich, 120 x 210 cm
David Raffini, Chiffon de Cuivre, 2017, coper, nail, 110 x 50 x 30 cm
David Raffini, Chiffon de Cuivre, 2017, coper, nail, 110 x 50 x 30 cm
David Raffini, Tâches Etrangeres (Footsteps of Strangers), 2017, acrylic paint and pigment on canvas, 175 x 175 cm

Cédric Teisseire, SAW CITY DESTROYED SAME, 2014, 30/14, lacker, Spray on Dibond, aérosol, 125 x 124 cm
Cédric Teisseire, SAW CITY DESTROYED SAME, 2014, 65/15, lacker, Spray on Dibond, 45 x 45 cm
Cédric Teisseire, SAW CITY DESTROYED SAME, 2012, 36/12, lacker, Spray on Dibond, 41 x 41 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 01/17, 27 x 33 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 02/17, 31 x 18 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 03/17, 24 x 26 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 04/17, 28 x 19 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 05/17, 44 x 18 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 06/17, 45 x 16 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 06/17, 45 x 16 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2016, 07/16, 26 x 28 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 07/17, 37 x 20 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 12/15, 20 x 30 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2016, 13/16, 29 x 22 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 14/15, 26 x 24 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 15/15, 20 x 14 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 16/15, 22 x 30 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 21/15, 26 x 17 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 22/15, 26 x 17 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 27/15, 51 x 25 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 52/15, 20 x 25 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2015, 63/15, 18 x 39 cm
Cédric Teisseire, LES AVATARS (after A. Odermatt), 2017, 68/15, 26 x 18 cm

Calligramme XXIII (‘fossil’), 1961, black, gold and red paint on paper, 52 x 63.5cm
Piétons Apocalypse, 1972, oil on canvas, 102 x 86 cm
A Person I Know, 1972,  oil on canvas, 75 x 63 cm
Drawing (breast), 1973, ink, coloured crayons on paper, 50 x 62 cm
Two Heads, 1973, ink on paper, 50 x 62 cm
Hieroglyph IV, 1979, felt pen and conté crayon on paper, 29.5 x 21 cm
Triple Drinkers I, c. 1955, pen and ink on paper, 19 x 10cm
Double-flute (third version), c.1955, pen and ink on paper, 15 x 11.5 cm
Man With Spare Feet, c.1972, ink on paper, 52 x 33 cm
The Urge to Transcend, study for the Way it Walks
Calligramme
Calligramme
Calligramme

20140530_120512
20140716_133923
IMG00134-20120411-1420
IMG00140-20120419-1419
IMG00161-20120529-1427
IMG00232-20130206-1431
IMG00282-20130709-1553
IMG00285-20130722-1458

agitatedweb
AVision
goddessnewweb
jointogetherweb
soldierrockwebsite copy
soldierrockwebsite
StackCropped

Stiff Peaks I
Stiff Peaks II
Stiff Peaks III
Stiff Peaks IV
11

 

Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère
Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère
Jyll Bradley, G/raft 1&2, each two part sculpture of pink fluorescent edge-lit Plexiglas, two-way mirrored Plexiglas and vintage sawn hop hole, each part: 168 x 7.5 x 6 cm (Height of the work is the height of the artist), Edition of 3
Jyll Bradley, Balance (1&2), 2016, Acrylic paint, carbon and photocopy drawings on Khadi hand-made paper, mounted on aluminium. Balance 1: 21 x 18.5 cm, Balance 2: 12.5 x 12.5 cm, both edition of 3
Jyll Bradley, Notes (1), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique
Jyll Bradley, Notes (2), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique
Jyll Bradley, Notes (3), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique
Jyll Bradley, Notes (4), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique
Jyll Bradley, Notes (5), 2016, spray paintings on folded 'tracedown' carbon paper float mounted in bespoke ash frame, 89 x 69 cm (framed), Unique
Jyll Bradley, Currency, 2016, Drawings on black and light blue carbon papers mounted on green fluorescent edge-lit Plexiglas. Part of a multi-part work, each 8 cm diameter, Unique
Jyll Bradley, Tags (1), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique
Jyll Bradley, Tags (2), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique
Jyll Bradley, Tags (3), 2016, watercolour, acrylic and carbon paintings on Khadi hand-made paper mounted in bespoke raw aluminium frame, 38 x 28.5 cm (framed), Unique
Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère
Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère
Jyll Bradley, Installation view, Jyll Bradley: Currency at l'étrangère
Jyll Bradley with Thierry Bal, produced by Jyll Bradley, Brigitte, 2016, HD Video, Stereo Sound, 4:40 min
Jyll Bradley, Green Light (zips), 2014. Wall relief (Edition of 10) Flourescent Plexiglas, sawn vintage fir hop pole, drill bits. 165.1cm x 10cm
Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture  Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m
Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture  Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m
Jyll Bradley, Green/Light (For M.R.), 2014. Light sculpture  Timber poles, wire-work grid, aluminium poles with LED inset, plexiglass, mirrored acryclic, coir string, aggregate, steel anchorage, 22m x 22m
Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.
Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.
Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.
Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.
Jyll Bradley, Le Jardin Hospitalier, Hopital Roger Salengro, CHRU, Lille, France. Permanent Installation.
Jyll Bradley, Architecture Makes Form: Trees Create Space (For Aldo Giurgola), 2013, 29.5 x 20.5 cm

Katie Cuddon, Public Imagination, 2013, Pencil, pen, collage on paper, 38 x 56 cm (framed)
Katie Cuddon, Shame, 2014, Painted ceramic, 50 x 37 x 77
Katie Cuddon, Cool Speech, 2013, Painted ceramic, plaster, wood, 55 x 49 x 49 cm
Katie Cuddon, First Thought. Not your own, 2013, Pencil, pen, collage on paper (framed), 45 x 32 cm
Katie Cuddon, An uncertain matter of fact, 2013, Pencil, collage on paper, 38 x 56 cm (framed)
Katie Cuddon, The bottom of thought, 2013, Pencil, pen, collage on paper, 50 x 70 cm

SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view

 

SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view
SUCKERZ, 2015. Installation view

Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)
PIOTR KRZYMOWSKI, I BELIEVE I CAN IMAGINE A COLOUR I HAVE NEVER SEEN BEFORE, 2016, SCAN OF A HEAT-TREATED 16MM FILM STRIP DIGITAL PRINT ON HAHNEMÜHLE ARCHIVAL PAPER, GOUACHE PAINT, 60X42CM (UNFRAMED)
Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)
Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)
Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)
Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)
PIOTR KRZYMOWSKI, I BELIEVE I CAN IMAGINE A COLOUR I HAVE NEVER SEEN BEFORE, 2016, SCAN OF A HEAT-TREATED 16MM FILM STRIP DIGITAL PRINT ON HAHNEMÜHLE ARCHIVAL PAPER, GOUACHE PAINT, 60X42CM (UNFRAMED)
Piotr Krzymowski, I believe I can imagine a colour I have never seen before, 2016, Scan of a heat-treated 16mm film strip Digital print on Hahnemühle archival paper, gouache paint, 60 x 42 cm (unframed)
Piotr Krzymowski, What's New? (Brigitte), 2016, Décollage on wooden board ,42 x 57 cm framed
Piotr Krzymowski, What's New? (Paul), 2016, Décollage on wooden board ,42 x 57 cm framed
Piotr Krzymowski, What's New? (Catherine), 2016, Décollage on wooden board ,42 x 57 cm framed
Piotr Krzymowski, What's New? (Liz), 2016, Décollage on wooden board ,42 x 57 cm framed
Piotr Krzymowski, A Jutro Spadnie Śnieg (And It Will Snow Tomorrow)
, 2016
, Paper collage and gouache paint on archival paper
, 76x111 cm (framed)
Piotr Krzymowski, Drugie Zycie Kina (Second Life of the Cinema)
, 2016
, Paper collage and gouache paint on archival paper
, 76x111 cm (framed)
Piotr Krzymowski, Był Film - Nie Ma Filmu (There Was a Film - There Is No Film)
, 2016
, Paper collage and gouache paint on archival paper
, 76x111 cm (framed)
Piotr Krzymowski, Pięć Minut Przed Dwunastą (Five to Noon)
, 2016
, Paper collage and gouache paint on archival paper
, 76x111 cm (framed)
Piotr Krzymowski, Twarzą w Twarz (Face to Face)
, 2016
, Paper collage and gouache paint on archival paper
, 76x111 cm (framed)
Piotr Krzymowski, cover to cover, 'Film' magazine covers on wooden newspaper holders, dimension variable, 2014
Piotr Krzymowski, Not Blood (Spider Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm
Piotr Krzymowski, Not Blood (Beige), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm
Piotr Krzymowski, Not Blood (Pitch Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm
Piotr Krzymowski, Not Blood (Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm
Piotr Krzymowski, Not Blood (Black and White), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm
Piotr Krzymowski, Not Blood White and Black, 2014/16 Postcard of movie still covered in gouache paint 15x10cm
Piotr Krzymowski, Not Blood (Black), 2014-16, Postcard of movie still covered in gouache paint, 15 x 10 cm
PIOTR KRZYMOWSKI, ECHOS SERIES OF POSTERS FOR NON EXISTING FILMS, PAPER AND VINTAGE FASHION MAGAZINES 30X43CM 2011-PRESENT
PIOTR KRZYMOWSKI, LAURA-M., ECHOS SERIES OF POSTERS FOR NON EXISTING FILMS, PAPER AND VINTAGE FASHION MAGAZINES, 30X43CM 2011–PRESENT

Marie Jeschke, 
Digital Dementia, 2018 Unique analogue photographic print on Fuji paper, mixed liquids 100 x 64 cm
Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 12.5 x 9 cm 40.5 x 35.5 cm (framed)
Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 12.5 x 9 cm 40.5 x 35.5 cm (framed)
Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 9 x 12.5 cm 40.5 x 35.5 cm (framed)
Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 10 x 9 cm 40.5 x 35.5 cm (framed)
Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 9 x 12.5 cm 40.5 x 35.5 cm (framed)
Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 12.5 x 9 cm 40.5 x 35.5 cm (framed)
Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 9.5 x 13.5 cm 40.5 x 35.5 cm (framed)
Marie Jeschke, Neti Neti (Neither This Nor That), 2015, Unique analogue photograph, 17 x 12.5 cm 40.5 x 35.5 cm (framed)
Marie Jeschke, Can’t Remember Always Always, 2015, Glass vessel with laser-cut lid and stone, 40x30x8cm
Marie Jeschke, Always Always, 2015, Glass vessel with laser-cut lid and stone, 40x30x8cm
Marie Jeschke, Always Always, 2015, Glass vessel with laser-cut lid and stone, 40x30x8cm
Marie Jeschke, Always Always, 2015, Glass vessel with laser-cut lid and stone, 40x30x8cm
Marie Jeschke, Can’t Remember Always Always, 2015, Glass vessels with laser-cut lid and stone, each 40x30x8cm
Contact Zone, Exhibition view, l'etrangere, 2017, Marie Jeschke, Anja Langer, Istvan Szabo
Marie Jeschke and Anja Langer, ID Totos, Papayango Toto (2016), glass, wood, fur, ink, metal, foil, pigments, 121 x 63 cm (with stand), Contact Zone, Exhibition view, l'etrangere, 2017
Marie Jeschke and Anja Langer, Trick me in two totos grindin‘ dosin‘ grindin‘ dosin‘ 2016, glass, toilet paper, ceramic plate, silicon, ink, watercolour, wood, paint, approx. 170 x 90 cm
Marie Jeschke, girl lost in thought (backside), 2016
Marie Jeschke, Can't Remember Always Always, 2016, l'etrangere Gallery, installation view, ph. Andy Keate
Marie Jeschke, Kieshofer Moor, Always (Mark 3), 2015, Unique analogue print on aluminium, 145x100x 15cm
Marie Jeschke, Kieshofer Moor, Always (Mark 2), 2015, Unique analogue print on aluminium, 140x110x15cm
Marie Jeschke, Kieshofer Moor, Always (Mark 4), 2015, Unique analogue print on aluminium, 145x102x15cm
Marie Jeschke, Kieshofer Moor, Always (Mark 1), 2015, Unique analogue print on aluminium, 149 x 102 x 15 cm
Marie Jeschke, Kieshofer Moor, Always (Mark 5), 2015, Unique analogue print on aluminium, 146x70x15cm
Marie Jeschke and Anja Langer, Trick me in two totos part me bebe, camerad 2016, glass, toilet paper, latex, silicon, tape, wood, paint, approx. 170 x 90 cm

Katharine Marszewski, Visual Shelter (Überlegung zu einer Firma), 2015, Mounted C-print with customised frame, 53 x 75 cm, Edition 1/3 + 1AP
Katharine Marszewski, Searchers, 2015, Screen print on canvas, lacquer, spray paint, 160 x 202 cm
Katharine Marszewski, Screen in Mechanical Bluish, 2015, Screen print on fabric, glue, netting, aluminium, 121 x 160 cm
Katharine Marszewski, Screen in Dirty Desert Rosé, 2015, Screen print on fabric, glue, netting, aluminium, 121 x 160 cm
Katharine Marszewski, Here Comes Intensity, 2015, Mounted C-print in customised frame, 74 x 104 cm, Edition 1/3 + 1AP
Katharine Marszewski, Here Comes Intuution, 2015, Mounted C-print in customised frame, 74 x 104 cm, Edition 1/3 + 1AP
Katharine Marszewski, She / Extended mirror edit (for Annie), 2015, Paper, screen print, lacquer, pigment, wood, 61 x 44 cm
Katharine Marszewski, Lacquer piece (from the Red series), 2015, Paper, lacquer, pigment, 30 x 42 cm
Katharine Marszewski, From Coast to Coat (wall piece), 2015, Screen print, Dimensions variable (installation size: 460 x 330 cm)
Katharine Marszewski, Spiralo Justice, 2015, Steel, telephone wires, spray paint, Dimensions variable (each element: 27 x 35 x 100 cm)
Katharine Marszewski, Installation view
Katharine Marszewski, Installation view

Marek Szczęsny, l'étrangère installation view
Marek Szczęsny, Untitled, 2010, oil on canvas, wood, 230x180cm
Marek Szczęsny, Passage, 2017, acrylic on canvas, metal, paper, 160x130cm
Marek Szczęsny, Untitled, 2015, oil on canvas, 220 x 170 cm
Marek Szczęsny, Untitled, 2009, oil on canvas, 230x160cm
Marek Szczęsny, Untitled, 2013, oil on canvas, wood, 230x180cm
Marek Szczęsny, Untitled, 2013, acrylic on paper, 120x100cm
Marek Szczęsny, Untitled, 2017, oil on canvas, 220x170cm
Marek Szczęsny, Untitled, 2016, oil on canvas, metal, wood, 220x170cm
Marek Szczęsny, Untitled, 2012, oil on canvas, wood, 190 x 170 cm
Marek Szczęsny, White powder on glass, 2013, Oil on canvas, 195 x 130 cm
Marek Szczęsny, Emigrant #1, 2010, Acrylic on paper, cardboard, 149 x 120 cm
Marek Szczęsny, Emigrant #3, 2010, Acrylic on paper, plastic 160x120cm
Marek Szczęsny, Untitled, 2010, Acrylic on paper, 105x75cm
Marek Szczęsny, Untitled, 2010, Acrylic on paper, 75x105cm
Marek Szczęsny, Untitled, 2009, Acrylic on paper, 110x75cm
Marek Szczęsny, Untitled, 2009, Acrylic on paper 75x110cm
Marek Szczęsny, Untitled, 2009, Acrylic on paper, 110 x 75 cm
Marek Szczęsny, Untitled, 2009, Acrylic paper, 105x75cm
Marek Szczęsny, Untitled, 2008, Acrylic on paper, 90x75cm
Marek Szczęsny, Untitled, 2008, Acrylic on paper, 110x75cm