Artist – l’étrangère

Sculptures

test

9 Photos

Videos

7 Photos

Almost Seen - Lapis Lazuli, 2016, synthetic tempera on canvas, 130cmx100cm

Almost Seen scattered, 2018, synthetic, temperaon polyester, 150cmx243cm

Almost Seen Primavera, 2016

Almost Seen Assab One Milan, 2018, installation shot

Almost Seen, installation shot Assab One Milan 2018

Ancient Pink Synthetic, tempera on polyester, 130cmx100cm, 2017

Bush Theatre ceiling, 2016

Botticini Inverted, synthetic tempera on polyester, 150cm x 243cm, 2018

Everyman Theatre, ceiling, Liverpool, 2014

Light Triggered, 2018, Ragged School Museum, installation

Vermilion Wall, Royal Court Theatre, 2000

Light Triggered, 2018, Ragged, School, Museum, installation

Bryanston-Street-mosaic-3-

Light Triggered, 2018, Ragged School Museum, installation

Maddox-Street-mosaic-4-

Moroni Grey synthetic, tempera on canvas, 60cmx50cm, 2017

Donmar-Theatre-Dryden-Street-Saturated-Stairs-2014-

Chichester-Festival-Theatre-Ceilings-2014

Museum of Oriental Art - Turin

Museum of Oriental Art - Turin

10 Photos

Moederkerk - Amsterdam

Moederkerk - Amsterdam

4 Photos

Piedmont Residency

Piedmont Residency

18 Photos

Eton College Residency

Eton College Residency

8 Photos

Instituto Inclusartiz

Instituto Inclusartiz

2 Photos

Shaun C. Badham, 'I'm staying, Currency Five', 2018, Print on Xativa, Matt Coated, 230gsm, Neutral White paper, 84 x 59cm, edition 25

Shaun C. Badham, Detail image of single note from 'I'm staying, Currency Five', 2018

Shaun C. Badham, 'I'm staying, Currency Ten', 2018, Print on Xativa, Matt Coated, 230gsm, Neutral White paper, 84 x 59cm, edition 25

Shaun C. Badham, Detail image of single note from 'I'm staying, Currency Ten', 2018

Shaun C. Badham, 'I'm staying, Currency Twenty', 2018, Print on Xativa, Matt Coated, 230gsm, Neutral White paper, 84 x 59cm, edition 25

Shaun C. Badham, Detail image of single note from 'I'm staying, Currency Twenty', 2018

Shaun C. Badham, 'I'm staying, Currency Fifty', 2018, Print on Xativa, Matt Coated, 230gsm, Neutral White paper, 84 x 59cm, edition 25

Shaun C. Badham, Detail image of single note from 'I'm Staying, Currency Fifty', 2018

Shaun C Badham ‘Bristol Pound’ Museum Etching Paper, 2015, 841 x 1189 mm

Shaun C. Badham, Site specific installation view of 'Spider’s Web’, 2016, metal, UV neon paint

Shaun C. Badham, Site specific installation view of 'Moon Probe’, 2016, metal, UV neon paint

Shaun C. Badham, 'Moon Probe Drawing’, 2014, 230gsm , Acid free paper, 27 x 19.5cm

Shaun C. Badham, 'Spider’s Web Drawing’, 2014, 230gsm , Acid free paper, 27 x 19.5cm

Shaun C. Badham, 'Frame Drawing 2’, 2014, 230gsm , Acid free paper, 27 x 19.5cm

Shaun C. Badham, 'Frame Drawing 1’, 2014, 230gsm , Acid free paper, 27 x 19.5cm

Shaun C. Badham, 'Zig Zag Tower and Slide drawing’, 2014, 230gsm , Acid free paper, 27 x 19.5cm

Paintings and Prints

Paintings and Prints

19 Photos

Installations

8 Photos

Tapestry

8 Photos

Su Richardson<br />PMS Cushion Pillow<br />2021<br />Crocheted wool, cotton, metallic yarn, recycled materials: silk, chifon and synthetic fabric, lead weights<br />66x44x20cm

Su Richardson<br />Pregnant Cushion<br />2021<br />Crochet cotton, dishcloth cotton backing<br />52x44x18cm

Su Richardson<br />Heavy Heart Magnificent Menopause Mat<br />2021<br />Crocheted recycled materials and clothing in velvet, silk, chiffon and synthetic fabric, metallic yarn, sequins, lead weights, dishcloth cotton backing<br />82x50x8cm

Su Richardson<br />Hot Flush Handbag with: Fan, Towel, Re-usable pad, HRT pills, Mask<br />2021<br />Crochet<br />20x30cm

Su Richardson<br />Burnt Breakfast installation at Home Strike, l'étrangère

Su Richardson<br />installation view: 'Home Strike,' 2018, l'étrangère

Su Richardson<br />Burnt Breakfast installation at Home Strike, l'étrangère

Su Richardson<br />Packed Lunch, 1976<br />series, wool<br />sizes variable (approx. 13 x 11 cm each). 'Home Strike,' 2018, l'étrangère

Su Richardson<br />Packed Lunch, 1976<br />wool sizes variable (approx. 13 x 11 cm each) with subsequent additions; at the forefront: Babyface Sandwich, 1976; remade 2012<br />'Home Strike,' 2018, l'étrangère

Su Richardson<br />Burnt Breakfast, 1975-1977<br />knife, fork and wool<br />20 cm diameter.

Su Richardson<br />Feministo Banner, 1976<br />lurex<br />11 x 43 cm

Su Richardson<br />Friends Gloves I, 1979<br />approx. 11 x 30 cm.

Su Richardson<br />Friends Gloves II, 1979<br />approx. 11 x 30 cm.

Su Richardson<br />Virgin/Mother/Whore, 1983<br />nylon, kapok stuffing, cotton, silk, lurex<br />torso: 60 x 40 x 16, limbs: 90 & 85 cm x 22 diameter.

Su Richardson<br />Installation view of Virgin/Mother/Whore, 1983<br />nylon, kapok stuffing, cotton, silk, lurex<br />torso: 60 x 40 x 16, limbs: 90 & 85 cm x 22 diameter

Su Richardson<br />Expressing Breasts, 2017<br />wool, cotton, lurex, polyester<br />19 x 13 x 11.5 cm.

Su Richardson<br />Burnt Brekfast P1, 2019<br />unique hand printed collagraph<br />32x36cm

Su Richardson<br />Burnt Brekfast P2, 2019<br />unique hand printed collagraph<br />32x36cm

Su Richardson<br />Burnt Brekfast P3, 2019<br />unique hand printed collagraph<br />32x36cm

Installations

13 Photos

Sculptures

9 Photos

Works on paper

18 Photos

Karen Tang, Installation View: it's for me, it's for you, Karen Tang and David Ben White, 2017

Karen Tang, Installation View: it's for me, it's for you, Karen Tang and David Ben White, 2017

Karen Tang, Magnetic Combo 6, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish.

Karen Tang, Magnetic Combo 15, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 240 x 84 x 52 cm

Karen Tang, Magnetic Combo, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish.

Karen Tang, Magnetic Combo 9, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish.

Karen Tang, Magnetic Combo 12, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 200 x 79 x 47 cm

Karen Tang, Magnetic Combo 12, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 200 x 79 x 47 cm

Karen Tang, Magnetic Combo 13, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 217 x 119 x 45 cm

Karen Tang, Magnetic Combo 10, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 122 x 96 x 59 cm

Karen Tang, Magnetic Combo 10, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 122 x 96 x 59 cm

Karen Tang, HypoPit, 2016, epoxy fibreglass, acrylic paint, Styrofoam, steel, perforated stainless steel, bolts, wheels, 195 x 125 x 55 cm.

Karen Tang, Pickle Surprise, 2015, epoxy, fibreglass, styrofoam, paint. 57, 45, 33 cm.

Karen Tang, Miami Deco (details), 2014, plasma-cut steel, carved timber, paint. 200cm x 25cm x 25cm

Karen Tang & Daniel Sanderson, 2008, Modern Molluscs at the Jerwood Space, mixed media, 6m x 5m x 5m (approx.)

Karen Tang, Synapsid, 2014, Epoxy, fibreglass, paint, Styrofoam, timber, steel, 400 x 370 x 370 cm. Installation view, Fenchurch Street Station, City of London, phot. Nick Turpin

Karen Tang, Max Growth Bling, Nike Air Max 90 trainer, plywood, steel, Mapei coloured grout, crystacal lamina, fibreglass, fimo, jewellery, imitation plants, fruit packaging net, 54cm x 36cm x 24cm

'Prison, Palace', Margate Museum, installation view, 2018

'Prison, Palace', Margate Museum, installation view, 2018

'Prison, Palace', Margate Museum, installation view, 2018

Sława Harasymowicz, Untitled, 2016, split screen video installation, 1' 30 video loop, variable dimensions

Sława Harasymowicz, Untitled, 2016, two drawing-based screen prints with acrylic paint and copper on paper, 103cm x 137cm

Sława Harasymowicz, Detail from Untitled (burn), 2016, five hand-made image transfers on screen print on card, 90cm x 64cm overalleen-print-on-card-90cmx64cm

Sława Harasymowicz, Detail from Untitled (burn), 2016, five hand-made image transfers on screen print on card, 90cm x 64cm overall

Sława Harasymowicz, Detail from Untitled (burn), 2016, five hand-made image transfers on screen print on card, 90cm x 64cm overall

Sława Harasymowicz, Untitled, 2016, Silver barite prints mounted on aluminium, 28cm x 23cm

Sława Harasymowicz, Precious Oxide I, 2012, Hand pulled print with acrylic and metallic paint on bible-paper, 92 x 62 cm Framed

Sława Harasymowicz, Precious Oxide II, 2012, Hand pulled print with acrylic and metallic paint on bible-paper, 92 x 62 cm Framed

Sława Harasymowicz, Installation view, Layered Narratives, l'étrangère, 2016

Untitled, 2015,Stencil on sandpaper

Installation view of Precious Oxide series in Wolf Man at Freud Museum London, 2012

Medusa

2 Photos

Me Remedy Woman

Me Remedy Woman

2 Photos

I Am Very Glad That You Could Make It

I Am Very Glad That You Could Make It

2 Photos

Black Column/White Column

Black Column/White Column

2 Photos

Gift Giving

4 Photos

Couples

10 Photos

Ugly Houses

4 Photos

Net

3 Photos

Mosaic

2 Photos

Either...or

6 Photos

Trasformations

9 Photos

Flowers

3 Photos

Cobweb

3 Photos

Pinafores

14 Photos

MSP-Mobile Signature of the Place

MSP-Mobile Signature of the Place

2 Photos

The Hatchling

6 Photos

The Failure of Mankind - Masks

The Failure of Mankind - Masks

13 Photos

The Failure of Mankind - Collages

The Failure of Mankind - Collages

6 Photos

Stones and other Demons

Stones and other Demons

5 Photos

Analgesic Paintings

Analgesic Paintings

7 Photos

Wound Profiles

9 Photos

Painkillers

14 Photos

The Blueprint

2 Photos

Last Summer in Obersalzberg

Last Summer in Obersalzberg

7 Photos

The Uhyst Refugee Asylum

The Uhyst Refugee Asylum

11 Photos

Suiciders

10 Photos

Satisfaction Guaranteed

Satisfaction Guaranteed

13 Photos

Monomyth

20 Photos

Every Single Crush

Every Single Crush

7 Photos

Pandemic

10 Photos

Unvorhersehbare Ereignisse

Unvorhersehbare Ereignisse

4 Photos

Clip

5 Photos

Artist and Muse

Artist and Muse

2 Photos

Reset

2 Photos

About Life

4 Photos

Make a Wish

3 Photos

Es Ist So Wie Es Scheint

Es Ist So Wie Es Scheint

9 Photos

Surface Treatment

Surface Treatment

3 Photos

Best of...

4 Photos

Ordinary Subjects Larger Than Life

Ordinary Subjects Larger Than Life

4 Photos