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Almost Seen - Lapis Lazuli, 2016, synthetic tempera on canvas, 130cmx100cm
Almost Seen scattered, 2018, synthetic, temperaon polyester, 150cmx243cm
Almost Seen Primavera, 2016
Almost Seen Assab One Milan, 2018, installation shot
Almost Seen, installation shot Assab One Milan 2018
Ancient Pink Synthetic, tempera on polyester, 130cmx100cm, 2017
Bush Theatre ceiling, 2016
Botticini Inverted, synthetic tempera on polyester, 150cm x 243cm, 2018
Everyman Theatre, ceiling, Liverpool, 2014
Light Triggered, 2018, Ragged School Museum, installation
Vermilion Wall, Royal Court Theatre, 2000
Light Triggered, 2018, Ragged, School, Museum, installation
Bryanston-Street-mosaic-3-
Light Triggered, 2018, Ragged School Museum, installation
Maddox-Street-mosaic-4-
Moroni Grey synthetic, tempera on canvas, 60cmx50cm, 2017
Donmar-Theatre-Dryden-Street-Saturated-Stairs-2014-
Chichester-Festival-Theatre-Ceilings-2014

Güler Ates, 'A wave of black (II)', 2018 , 80x74 cm
Güler Ates, 'Blanket (II)', 2018, 60x90cm
Güler Ates, 'Blanket (I)', 2018, 34.25x30cm
Güler Ates, 'Darkness of La Venaria (III)', 2018, 26.1x21cm
Güler Ates, 'Golden yellow (II)', 2018, 67.7x80cm
Güler Ates, 'Govone and the morning light', 2018, 30.5x33cm
Güler Ates, 'La Venaria and She (III)', 2019, 75.6x90cm
Güler Ates, 'Presence of Absence (II)', 2016, 71x105cm, Ed of 5
Güler Ates, 'Presence of Absence (III)', 2017, 50x39.4cm, Ed of 5
Güler Ates, 'Purple (I)', 2016, 90x73.5cm, Ed of 5
Güler Ates, 'Purple (IV)' , 2016, 60x63.5cm, Ed of 5
Güler Ates, 'The garden in Govone (II)', 2018, 40x60cm
Güler Ates, 'The Whirling sky', 2018, 100x75.5cm
Güler Ates, 'Untitled (Eton College Chapel #1)', 2017, 45x30cm, Ed of 5
Güler Ates, 'Woman at Eton College Chapel (II)', 2016, 33x108cm, Ed of 5
Güler Ates, 'Woman in Reggia di Stupinigi (I)', 2016, 36x30cm
Guler Ates, 'Buddha and Woman in Blue (III)' 2019, 61x66cm
Guler Ates, 'Dancing Sculpture and She (I)', 2019, 58cmx70cm
Guler Ates, 'Incomer (I)', 2019, 51.2x57cm
Guler Ates, 'Song', 2019, 105x48.6cm
Guler Ates, 'What remains (I)', 2019, 51x75cm
Guler Ates, 'What remains (II)', 2019, 50x75cm
Guler Ates, 'Woman in Orange (I)', 2019, 31.2x30cm
Guler Ates, 'Woman in Orange (II)', 2019, 25.2x30cm

Shaun C. Badham, 'I'm staying, Currency Five', 2018, Print on Xativa, Matt Coated, 230gsm, Neutral White paper, 84 x 59cm, edition 25
Shaun C. Badham, Detail image of single note from 'I'm staying, Currency Five', 2018
Shaun C. Badham, 'I'm staying, Currency Ten', 2018, Print on Xativa, Matt Coated, 230gsm, Neutral White paper, 84 x 59cm, edition 25
Shaun C. Badham, Detail image of single note from 'I'm staying, Currency Ten', 2018
Shaun C. Badham, 'I'm staying, Currency Twenty', 2018, Print on Xativa, Matt Coated, 230gsm, Neutral White paper, 84 x 59cm, edition 25
Shaun C. Badham, Detail image of single note from 'I'm staying, Currency Twenty', 2018
Shaun C. Badham, 'I'm staying, Currency Fifty', 2018, Print on Xativa, Matt Coated, 230gsm, Neutral White paper, 84 x 59cm, edition 25
Shaun C. Badham, Detail image of single note from 'I'm Staying, Currency Fifty', 2018
Shaun C Badham ‘Bristol Pound’ Museum Etching Paper, 2015, 841 x 1189 mm
Shaun C. Badham, Site specific installation view of 'Spider’s Web’, 2016, metal, UV neon paint
Shaun C. Badham, Site specific installation view of 'Moon Probe’, 2016, metal, UV neon paint
Shaun C. Badham, 'Moon Probe Drawing’, 2014, 230gsm , Acid free paper, 27 x 19.5cm
Shaun C. Badham, 'Spider’s Web Drawing’, 2014, 230gsm , Acid free paper, 27 x 19.5cm
Shaun C. Badham, 'Frame Drawing 2’, 2014, 230gsm , Acid free paper, 27 x 19.5cm
Shaun C. Badham, 'Frame Drawing 1’, 2014, 230gsm , Acid free paper, 27 x 19.5cm
Shaun C. Badham, 'Zig Zag Tower and Slide drawing’, 2014, 230gsm , Acid free paper, 27 x 19.5cm

Anna Baumgart, 'Franciszek Wróbel’s Rebellion is Uncertain', 2012, still from the film
Anna Baumgart, 'Wall. The Hypothesis of the Stolen Image', 2008, installation view
Anna Baumgart, 'Wall. The Hypothesis of the Stolen Image', 2008, installation view
Anna Baumgart, 'Wall. The Hypothesis of the Stolen Image', 2008, installation view
Anna Baumgart, B9 (Natascha Kampusch)", 2007, resin, acrylic, installation view
Anna Baumgart, 'Weronika. AP', 2006, resin, acrylic, installation view
Anna Baumgart, 'Weronika. AP', 2006, resin, acrylic, installation view

Su Richardson, Burnt Breakfast installation at Home Strike, l'étrangère
Su Richardson, installation view: 'Home Strike,' 2018, l'étrangère
Su Richardson, Burnt Breakfast installation at Home Strike, l'étrangère
Su Richardson, Packed Lunch, 1976, series, wool, sizes variable (approx. 13 x 11 cm each). 'Home Strike,' 2018, l'étrangère
Su Richardson, Packed Lunch, 1976, wool sizes variable (approx. 13 x 11 cm each) with subsequent additions; at the forefront: Babyface Sandwich, 1976; remade 2012. 'Home Strike,' 2018, l'étrangère
Su Richardson, Burnt Breakfast, 1975-1977, knife, fork and wool, 20 cm diameter.
Su Richardson, Feministo Banner, 1976, lurex 11 x 43 cm
Su Richardson, Friends Gloves I, 1979, approx. 11 x 30 cm.
Su Richardson, Friends Gloves II, 1979, approx. 11 x 30 cm.
Su Richardson, Virgin/Mother/Whore, 1983, nylon, kapok stuffing, cotton, silk, lurex, torso: 60 x 40 x 16, limbs: 90 & 85 cm x 22 diameter.
Su Richardson, Installation view of Virgin/Mother/Whore, 1983, nylon, kapok stuffing, cotton, silk, lurex, torso: 60 x 40 x 16, limbs: 90 & 85 cm x 22 diameter
Su Richardson, Expressing Breasts, 2017, wool, cotton, lurex, polyester, 19 x 13 x 11.5 cm.
Su-Richardson-Burnt-Brekfast-P1-2019-unique-hand-printed-collagraph-32x36-cm
Su-Richardson-Burnt-Brekfast-P2-2019-unique-hand-printed-collagraph-32x36-cm
Su-Richardson-Burnt-Brekfast-P3-2019-unique-hand-printed-collagraph-32x36-cm

Tatiana Wolska, Untitled, 2017, thermo welded plastic, 70 x 130 x 60 cm
Tatiana Wolska, Untitled, 2017, reclaimed timber, 316 x 60 x 58
Tatiana Wolska, Untitled, 2017, reclaimed timber, screws, 210 x 60 x 40 cm
Tatiana Wolska, Palette Sculpture, reclaimed timber, screws, 86 x 33 x 29 cm
Tatiana Wolska, Untitled, 2015, reclaimed timber and screws, 45 x 40 x 24 cm
Tatiana Wolska, Untitled, 2018
Tatiana Wolska, Cover for a Potential Sculpture, 2016, transparent silicon, cotton, polyutherane filler, zip, ink, 90 x 60 x 35 cm
Tatiana Wolska, Untitled, 2018
Tatiana Wolska, Untitled, 2016, white silicon, polyutherane foam, 70 x 50 x 15 cm
Tatiana Wolska, Wasp Nest, 2012/2017, magnets, nail, dimensions variable
Tatiana Wolska, Untitled, 2017, lint, 42 x 35 cm
Tatiana Wolska, Untitled, 2017, lint, 42 x 35 cm
Tatiana Wolska, Untitled, 2018, drawing on paper
Tatiana Wolska, Untitled, 2017, ink, graphitye, acrylic paint, charcoal, vanish on paper, 150 x 270 cm
Tatiana Wolska, Untitled, 2017, pen, ink, graphite, 50 x 64 cm
Tatiana Wolska, Untitled, 2011, 65 x 50 cm
Tatiana Wolska, Untitled, 2017, 50 x 65 cm
Tatiana Wolska, Untitled, 2017, 50 x 65 cm

Karen Tang, Installation View: it's for me, it's for you, Karen Tang and David Ben White, 2017
Karen Tang, Installation View: it's for me, it's for you, Karen Tang and David Ben White, 2017
Karen Tang, Magnetic Combo 6, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish.
Karen Tang, Magnetic Combo 15, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 240 x 84 x 52 cm
Karen Tang, Magnetic Combo, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish.
Karen Tang, Magnetic Combo 9, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish.
Karen Tang, Magnetic Combo 12, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 200 x 79 x 47 cm
Karen Tang, Magnetic Combo 12, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 200 x 79 x 47 cm
Karen Tang, Magnetic Combo 13, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 217 x 119 x 45 cm
Karen Tang, Magnetic Combo 10, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 122 x 96 x 59 cm
Karen Tang, Magnetic Combo 10, 2016, galvanised steel, Styrofoam, epoxy fibreglass, magnets, paint, varnish. 122 x 96 x 59 cm
Karen Tang, HypoPit, 2016, epoxy fibreglass, acrylic paint, Styrofoam, steel, perforated stainless steel, bolts, wheels, 195 x 125 x 55 cm.
Karen Tang, Pickle Surprise, 2015, epoxy, fibreglass, styrofoam, paint. 57, 45, 33 cm.
Karen Tang, Miami Deco (details), 2014, plasma-cut steel, carved timber, paint. 200cm x 25cm x 25cm
Karen Tang & Daniel Sanderson, 2008, Modern Molluscs at the Jerwood Space, mixed media, 6m x 5m x 5m (approx.)
Karen Tang, Synapsid, 2014, Epoxy, fibreglass, paint, Styrofoam, timber, steel, 400 x 370 x 370 cm. Installation view, Fenchurch Street Station, City of London, phot. Nick Turpin
Karen Tang, Max Growth Bling, Nike Air Max 90 trainer, plywood, steel, Mapei coloured grout, crystacal lamina, fibreglass, fimo, jewellery, imitation plants, fruit packaging net, 54cm x 36cm x 24cm

'Prison, Palace', Margate Museum, installation view, 2018
'Prison, Palace', Margate Museum, installation view, 2018
'Prison, Palace', Margate Museum, installation view, 2018
Sława Harasymowicz, Untitled, 2016, split screen video installation, 1' 30 video loop, variable dimensions
Sława Harasymowicz, Untitled, 2016, two drawing-based screen prints with acrylic paint and copper on paper, 103cm x 137cm
Sława Harasymowicz, Detail from Untitled (burn), 2016, five hand-made image transfers on screen print on card, 90cm x 64cm overall
Sława Harasymowicz, Detail from Untitled (burn), 2016, five hand-made image transfers on screen print on card, 90cm x 64cm overall
Sława Harasymowicz, Detail from Untitled (burn), 2016, five hand-made image transfers on screen print on card, 90cm x 64cm overall
Sława Harasymowicz, Untitled, 2016, Silver barite prints mounted on aluminium, 28cm x 23cm
Sława Harasymowicz, Precious Oxide I, 2012, Hand pulled print with acrylic and metallic paint on bible-paper, 92 x 62 cm Framed
Sława Harasymowicz, Precious Oxide II, 2012, Hand pulled print with acrylic and metallic paint on bible-paper, 92 x 62 cm Framed
Sława Harasymowicz, Installation view, Layered Narratives, l'étrangère, 2016
Untitled, 2015,Stencil on sandpaper
Installation view of Precious Oxide series in Wolf Man at Freud Museum London, 2012

Małgorzata Markiewicz, I am very glad that you could make it, 2016, from the performance at the Photographers' Gallery, London.
Małgorzata Markiewicz, I am very glad that you could make it, 2016, from the performance at the Photographers' Gallery, London.
Małgorzata Markiewicz, Installation view: Can I make you feel bad?, 2016, l'ètrangère, London
Małgorzata Markiewicz, Ugly House 3, 2016, 16 x 23 x 17cm
Małgorzata Markiewicz, Ugly House 2, 2016, 16 x 23 x 17cm
Małgorzata Markiewicz, Ugly House 1, 2016, 16 x 23 x 19cm
Małgorzata Markiewicz, Ugly House 5, 2016, 16 x 23 x 20.5cm
Małgorzata Markiewicz, Can I make you feel bad?, 2016, 135 x 65 x 12cm
Małgorzata Markiewicz, Couples/They 5, 2016, 20x20x10cm, textile, yarn
Małgorzata Markiewicz, Couples/They 4, 2016, 40x25x10cm, textile, leather, found gloves
Małgorzata Markiewicz, Hand in Hand, 2016, 60 x 50 x 10cm
Małgorzata Markiewicz, Benzedrine, 2016, yarn, 170 x 140 cm
Małgorzata Markiewicz, Chloral hydrate, 2016, steel, 130 x 120 x 1cm, ed. 1/3
Małgorzata Markiewicz, Installation view: Can I make you feel bad?, 2016, l'ètrangère, London
Małgorzata Markiewicz, Installation view: Rococco, 2010, hand crocheted yarn, dimensions variable
Małgorzata Markiewicz, Net, 2004-2014. Yarn and crocheting, 3 x 1.5 m
Małgorzata Markiewicz, Flowers, 2006, photograph on dibond, 90 x 90 cm
Małgorzata Markiewicz, Flowers, 2006, photograph on dibond, 90 x 90 cm
Małgorzata Markiewicz, Flowers, 2005, photograph on dibond, 30 x 40 cm
Małgorzata Markiewicz, Flowers, 2004, photograph on dibond, 30 x 40 cm

Joanna Rajkowska, The Hatchling, Frieze Sculpture, 2019
Joanna Rajkowska, The Hatchling, Cody Dock, The Line, London, 2019
Joanna Rajkowska, I shall not enter into your heaven, 2017, Open City Festival, Future Culture Forum, Lublin, Poland
Rosa's Passage 2014 - present, ul. Piotrkowska 3, Łódź, Poland
The Light of The Lodge. Edition Copenhagen 2012, Copenhagen, Denmark
Born in Berlin 2012, Berlin
Chariot 2010, The Showroom, London, near Church Street / Edgware Road
Joanna Rajkowska, Benjamin in Konya 2010, Konya, Turkey
Joanna Rajkowska, Benjamin in Konya 2010, Konya, Turkey
Joanna Rajkowska, Benjamin in Konya 2010, Konya, Turkey
Oxygenator 2007, Grzybowski Square, Warsaw;Centre for Contemporary Art, Ujazdowski Castle
Joanna-Rajkowska, Greetings from Jerusalem Avenue Varsavia, 2012
Joanna Rajkowska, Altered States. Substances in Contemporary Arts, Kunstpalais, Erlangen 4 March – 21 May 2018
Joanna Rajkowska, Altered States. Substances in Contemporary Arts, Kunstpalais, Erlangen 4 March – 21 May 2018
Joanna Rajkowska, Altered States. Substances in Contemporary Arts, Kunstpalais, Erlangen 4 March – 21 May 2018
Joanna Rajkowska, My Father Never Touched Me Like That 2014, film, 11'
Joanna Rajkowska, Basia 2009, event, video 16'
Joanna Rajkowska Mask with Hare Skull, 2019 Papier-mâché, hares' skulls, animal fur, acrylic paint 25.5 x 16 x 14 cm (approx.)
Joanna Rajkowska Mask with Badger's Skull and Roe Deer's Vertebra, 2019 Papier-mâché, badger's skull, roe deer's vertebra, animal fur, wire, acrylic paint 26 x 19.5 x 17.3 cm (approx.) and Shoes with Fox's Skull, 2019 Fox skull, animal fur, leather 34 x 12 x 15 cm (approx. each), installation view: The Failure of Mankind, l'etrangere
Joanna Rajkowska Mask with Roe Deer's Vertebrae, 2019 Papier-mâché, roe deer's vertebrae, stone, acrylic paint, beeswax
Joanna Rajkowska The Hatchling (Night Heron), 2019 Acoustic sculpture pigmented acrylic plaster 30 x 20 cm (diameter)
Joanna Rajkowska Egg-Earth (Industrial Revolution), 2019 Collage on hand-made paper 70 x 50 cm
Joanna Rajkowska Egg-Earth (Factory Plan), 2019 Collage on hand-made paper 70 x 50 cm
Joanna Rajkowska Egg-Earth (Communication Cable), 2019 Collage on hand-made paper 70 x 50 cm
Joanna Rajkowska Egg-Earth (British Library), 2019 Collage on hand-made paper 70 x 50 cm
Joanna Rajkowska Egg-Earth (Eclipse), 2019 Animal fur on hand-made paper 50 x 70 cm
Joanna Rajkowska The Hatchling (Crane), 2019 Acoustic sculpture pigmented acrylic plaster 60 x 30 cm (diameter)
Joanna Rajkowska, Installation view: The Failure of Mankind, 2019, l'etrangere
Joanna Rajkowska Stones and Other Demons I (JRSD01), 2019 Giclée on Hahnemühle German Etching 85 x 70 cm, 88 x 70 cm framed Edition 1 of 5 + 2AP
Joanna Rajkowska Stones and Other Demons IV (JRSD04), 2019 Giclée on Hahnemühle German Etching 85 x 70 cm, 88 x 73 cm framed Edition 1 of 5 + 2AP
Joanna Rajkowska Stones and Other Demons V (JRSD05), 2019 Giclée on Hahnemühle German Etching 85 x 70 cm, 88 x 73 cm framed Edition 1 of 5 + 2AP
Joanna Rajkowska Stones and Other Demons VII (JRSD07), 2019 Giclée on Hahnemühle German Etching 85 x 70 cm, 88 x 73 cm framed Edition 1 of 5 + 2AP
Joanna Rajkowska, Trafostation #1, 8 Sep 2017 9.10 am, JRTR01, Giclée on Hahnemühle Pearl on dibond, 20 x 30 cm, edition of 5 + 2AP
Joanna Rajkowska, Trafostation #9, 8 Sep 2017 10.54 am, JRTR09, Giclée on Hahnemühle Pearl on dibond, 20 x 30 cm, edition of 5 + 2AP
Joanna Rajkowska, Trafostation #10, 8 Sep 2017 11.17 am, JRTR10, Giclée on Hahnemühle Pearl on dibond, 20 x 30 cm, edition of 5 + 2AP
Joanna Rajkowska, Trafostation, 2016
Joanna Rajkowska, Jerusalem, 22.09.2004 | Israel/Palestine, 2018 Digital print, mdf, wood, aluminium profiles 70 x 77 cm
Joanna Rajkowska, Trincomalee 2.03.2000 | Sri Lanka, 2016 Digital print, mdf, wood, aluminium profiles 50 x 53 cm
Joanna Rajkowska, Growth, 2016, powdered analgesic and PVA glue on paper, 16,5 x 14cm
Joanna Rajkowska, Aim, 2016, powdered analgesic and PVA glue on paper, 15,7 x 15,3cm
Joanna Rajkowska, 'American Flag', 2016, 80 x 150 cm
Joanna Rajkowska, M4A1 carbine (from the series Painkillers I), 2014, Powdered analgesic, polyurethane resin, life-size cast, 76 x 25 x 7.2 cm
Joanna Rajkowska, Latex Gloves (from the series Painkillers II), 2015, Powdered analgesic, polyurethane resin, life-size cast, Each 22 x 11 x 0.5 cm
Joanna Rajkowska, Munitions (14.5 x 114mm MDZ high explosive shell, 20 x 102mm M56 High explosive incendiary shell, 5.56 x 45mm NATO cartridge, 7.62 x 39mm M43 cartridge, 9 x 19mm NATO cartridge, RGN hand grenade) (from the series Painkillers I), 2014, dimensions variable
Joanna Rajkowska, 12ga. 27 Pellet #4 Buck at 1350 f:s, 2015, 20.6 x 14.6 cm
Joanna Rajkowska, Winchester .30-06 150gr Softpoint at 2923 f:s, 2015, 20.6 x 14.6 cm
Joanna Rajkowska, Winchester .30-30 170gr Silvertip at 2020 f:s, 2015, 20.6 x 14.6 cm
Joanna Rajkowska, 'Satisfaction Guaranteed', 2000, commissioned by Ujazdowski Castle, Warsaw
Joanna Rajkowska, 'Satisfaction Guaranteed', 2000, commissioned by Ujazdowski Castle, Warsaw

Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 80×80 cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 40×50 cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP,50x 40 cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 50×50 cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 50×50 cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 50×50 cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 50×50 cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 60 x 50 cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 70 x 50cm
Filip Berendt, Pandemic, 2009, photography archival print on dibond ed.62AP, 70 x 50 cm
Filip Berendt, Monomyth II B, 2018, Archival pigment print on dibond, acrylic paint, MDF, 70 x 50 cm
Filip Berendt, Monomyth 2, 2015/2016 Archival pigment print on dibond, acrylic paint, MDF, 50×50 cm
Filip Berendt, Monomyth 5, 2015/2016 Archival pigment print on dibond, acrylic paint, MDF, 60x34 cm
Filip Berendt, Filip Berendt, Monomyth 11, 2015/2016 Archival pigment print on dibond, acrylic paint, MDF, 52×58 cm
Filip Berendt, Monomyth 12, 2015/2016 Archival pigment print on dibond, acrylic paint, MDF, 66×64 cm
Filip Berendt, Filip Berendt, Monomyth 4, 2015/2016 Archival pigment print on dibond, acrylic paint, MDF, 50 x 50 cm
Filip Berendt, Monomyth II A, 2018, Archival print on dibond, 72.5 x 56.5 cm, Edition 1/3 + AP
Filip Berendt, Monomyth II C, 2018, Archival print on dibond, 70 x 50 cm
Filip Berendt, Monomyth II B, 2018, Archival pigment print on dibond, acrylic paint, MDF, 70 x 50 cm
Filip Berendt, Monomyth II D, 2018, Archival pigment print on dibond, acrylic paint, MDF, 70 x 50 cm
Filip Berendt, Filip Berendt, Monomyth II E, 2018, Archival pigment print on dibond, acrylic paint, MDF, 70 x 50 cm
Berendt Monomyth 8, 2015/2016 Archival pigment print on dibond, acrylic paint, 70 x 50 cm
Filip Berendt, Every Single Crash, 2013, Museo Silver Rag on aluminium, 105 x 105 cm
Filip Berendt, Every Single Crash, 2013, Museo Silver Rag on aluminium, 125 x 125 cm
Filip Berendt, Every Single Crash, 2013, Museo Silver Rag on aluminium, 125 x 125 cm
Filip Berendt, Every Single Crash, 2013, Museo Silver Rag on aluminium, 125 x 125 cm
Filip Berendt, Every Single Crash, 2013, Museo Silver Rag on aluminium, 85 x 85 cm
Filip Berendt, Every Single Crash, 2013, Museo Silver Rag on aluminium, 75 x 105 cm
Filip Berendt, Every Single Crash, 2013, Museo Silver Rag on aluminium, 105 x 105 cm

Anita Witek, About Life Draft #F, 2016/2017, C-Type Print, 113,5 x 87 cm edition 1 of 3 + 1AP
Anita Witek, About Life Draft #G, 2016/2017, C-Type Print, 113,5 x 87 cm
Ordinary Subjects Larger Than Life #10, 2011, C-print on aluminium Hand crafted analogue prints from negative, 33 x 48 cm (framed), Edition 2 of 3 + 2AP
Ordinary Subjects Larger Than Life #13, 2011, C-print on aluminium Hand crafted analogue prints from negative, 33 x 48 cm (framed), Edition 2 of 3 + 2AP
Ordinary Subjects Larger Than Life #33, 2011, C-print on aluminium Hand crafted analogue prints from negative, 33 x 48 cm (framed), Edition 2 of 3 + 2AP
Ordinary Subjects Larger Than Life #37, 2011, C-print on aluminium Hand crafted analogue prints from negative, 33 x 48 cm (framed), Edition 2 of 3 + 2AP
Anita Witek, Artist and Muse Draft #L02, 2017, Hand printed analogue C-Type Print, 92 x 64.5cm, (framed 115.5 x 86 cm), Edition 1 of 3 + 2AP
Anita Witek, Artist and Muse Draft #B02, 2017, Hand printed analogue C-Type Print, 92 x 64.5cm, (framed 115.5 x 86 cm), Edition 1 of 3 + 2AP (edition 2 and 3 sold)
Anita Witek, About Life Draft #D, 2016/2017, C-Type Print, 113,5 x 87 cm edition 1 of 3 + 1AP
Anita Witek, About Life Draft #E, 2016/2017, C-Type Print, 113,5 x 87 cm edition 1 of 3 + 1AP
Anita Witek, Reset (#3 /S.O.S), 2016, C-Type print, 122 x 150 cm, (framed)
Anita Witek, Best of...006, 2012, C-print on aluminium, 34 x 54cm, Edition 1/3 + 2AP
Anita Witek, Best of...007, 2012, C-print on aluminium, 100 x 180cm, Edition 1/3 + 2AP
Anita Witek, Best of...3007, 2012, C-print on aluminium, 105 x 180cm, Edition 2/3 + 2AP
Anita Witek, Best of...30010, 2012, C-print on aluminium, 56 x 90cm, Edition 1/3 + 2AP