Rebecca Lyons in conversation with Krzysztof Gil, 15 November 6.30 – 8.30 pm
Please join us for a conversation between artist Krzysztof Gil and Rebecca Lyons, art historian and director, Royal Collection Studies, at The Attingham Trust. This event takes place on the occasion of Krzysztof Gil’s first exhibition in London, Welcome to the Country Where the Gypsy Has Been Hunted that will open on 15 November 6.30 – 8.30 pm.
The exhibition addresses the legal and social marginalisation of Roma peoples throughout history, that began in the fifteenth century Europe when Roma peoples were dissuaded from following their traditional lifestyles for fear of severe punishment or enslavement. The sixteenth century was marked by anti-Roma legislation passed by the-then Holy Roman Emperor, Maximilian I, which meant that any Roma individual captured anywhere throughout the imperial territory could be subjected to torture and extermination. In 1530, Roma were legally banished from England, and in 1540, from Scotland. In the seventeenth century, a law was in force throughout Germany and the Netherlands according to which anyone could kill Roma without liability, thereby establishing the custom of Roma hunting, or ‘Heidenjachten’. The hunts were official, co-organised by the army and police, and became a form of public entertainment, often with cash prizes awarded for a hunter’s success.
The exhibition is comprised of a single installation, entitled TAJSA Yesterday and Tomorrow (2018), which takes as its point of departure the ritual of ‘Heidenjachten’ or ‘Gypsy-hunt’, prevalent in Germany and the Netherlands from the seventeenth until as late as the nineteenth centuries. Inside the shelter is a large panoramic tableau that depicts a procession of hunters, animals and human corpses, drawn with white chalk on a black background. The characters have been inspired by the Rembrandt painting, The Anatomy Lesson of Dr Nicolaes Tulp (1632), in which Dr Tulp presents a public dissection to members of the Amsterdam Guild of Surgeons. Gil’s drawings of the hunters’ trophy heap, which includes a deer, a hare, a bird and a Roma, perversely resembles the aestheticised paintings of the Dutch still life tradition.
Krzysztof Gil’s family originates from the Burgetka Roma community who settled in the Polish region of Podhale in the fifteenth century. A diverse yet stateless population of approximately 9 to 12 million people, Roma people speak many languages, practice different religions and have varied customs. For this exhibition, Gil has produced a soundtrack that accompanies the installation, which juxtaposes the remote history of persecuted Roma people with his own family history and the contemporary moment. The sound component consists of a recorded conversation between the artist and his grandmother, in which she tells the story of her father, who was murdered in post-WWII Podhale, after making remarks that called into question the quality of work of his Polish colleagues. His death was concluded to be an accident by doctors and the authorities, and the perpetrators went unpunished.
Krzysztof Gil (b. 1987, Kraków) is of Polish Roma origins and grew up in Nowy Targ, Poland. Between 2008-2013, he studied Graphic Design at the Academy of Fine Arts in Krakow. He is the recipient of the Jolanta Kwaśniewska Foundation scholarship ‘Understanding without Barriers’, and a three-time recipient of the Polish Minister of Interior and Administration scholarship.
In 2008, he co-founded the artistic group Romani Art and is also involved in social activities that oppose discrimination and social exclusion. He is a member of the ternYpe International Roma Youth Network, which helps young Roma people to become active citizens. As he says: ‘From the beginning of my artistic education at a high school in Krakow, the topic of Roma has been extremely important to me. Now, years later, I realised that I had to look at my culture from different perspectives and take more distance. It helped me to get involved in projects against intolerance and stereotypes.’
In 2013, Gil began his PhD at the Academy of Fine Arts in Krakow. His topic is the correlation between the past, present and future of the Roma people, as represented by the Roma word ‘tajsa’, which translates as both ‘today’ and ‘tomorrow.
Rebecca Lyons is Director of Royal Collection Studies for The Attingham Trust and has just been appointed as a Curator for the National Trust. Until October 2017 she was Director of the Fine & Decorative Art: Renaissance to Modern degree programmes at Christie’s Education/University of Glasgow. Before that, she worked at the National Gallery in the education department. Rebecca is currently working on George IV and his picture collecting at the University of Cambridge.
The exhibition has been organised in collaboration with Henryk Galery in Kraków and is supported by the Municipality of Kraków, Poland and the Polish Cultural Institute, London, UK.
The exhibition has been curated by Wojtek Szymański.